Year 1990 - 323

Louisiana filmmaker, Pat Mire, teams up with veteran filmmaker and cinematographer, Charles Bush, to capture the natural drama of handfishing in this award-winning documentary. Highly visual, the film examines the thrilling regional phenomenon of Cajuns who wade in murky bayou waters to catch huge catfish and turtles by reaching into hollow logs and stumps with their bare hands. Friends and family accompany the handfisherman to the bayou banks for Cajun music, festive cooking, and storytelling, and to witness this increasingly rare tradition. Told from the inside with multiple voices, Mire and Bush explore the chain of events set off by man's attempt to "improve" his environment by dredging bayous in this remarkable study of the relationship between cultural and natural resources.

The story of the courage and determination of a single mother whose husband's death to the family and the business

1980s pop icon Belinda Carlisle shows she's still got the beat as she presents some of her greatest songs in this concert video filmed during a performance in 1990. Selected from both her successful solo career as well as her stint as a vocalist from the Go-Gos, this collection of songs includes "Runaway Horses," "Our Lips Are Sealed," "Heaven Is a Place on Earth," "We Got the Beat," "Mad About You," "I Get Weak," "Valentine" and more.

This documentary combines music videos, live performance and oral history from the members of legendary 1980s glam metal act Cinderella, and includes hits such as "Gypsy Road," "Don't Know What You Got (Till It's Gone)" and "The Last Mile." Between the music, the band members give you a private tour of their road to stardom, from the Philly club scene to their discovery by one Jon Bon Jovi and ultimate signing by Mercury Records.

Alvin Ailey played a key role in the growth of modern dance in USA and his company, founded in 1958, is one of the USA’s oldest dance troupes as well as one of the most youthful and vital on the dance scene. In this two-part program, members of Ailey's dance company celebrate his memory by performing three works choreographed by Ailey himself, as well as a special ballet tribute choreographed by Ulysses Dove. Each piece is introduced by Judith Jamison, the dancer and choreographer whose career was nurtured to stardom by Ailey, and who was, at the time of this production, Artistic Director of the company. The Alvin Ailey Dance Theater is uniquely eclectic in range, repertory, and style. As a choreographer, Ailey explored the black experience and went beyond, finding universal human truths in all his work.

Gain an inside look into the Soviet Union under Josef Stalin's reign of terror through eyewitness testimonies, archival photographs and rare film footage, which reveal the real-life backstabbing and power plays among Stalin's inner circle. This documentary follows the stories of such high-ranking officials as Andrei Zhdanov, Nikita Khrushchev and Georgy Malenkov as they battled to secure their place in history by becoming Stalin's successor.

A cozy house in the forest lives a family of hedgehogs. All of them are good, but only one of their children has no thorns, instead of them were soft curls.

Rain Dance is a four-minute animation produced by Hill while an undergraduate student at Harvard University from 1988-1992; the exact date of the production is currently unidentified. Although little known, the film is representative of both Hill’s do-it yourself approach – employing character cutouts, strong, yet playful colors, and a narrative and technical simplicity rich with charm – and her jovial demeanor and inquisitive approach to life. The film is dedicated to Elijah Aron, Hill’s boyfriend throughout college. Aron remained close friends with Helen and her husband Paul Gailiunas, and was the godfather of their son Francis.

Music/Musical - A balance of old Irish music favorites and a live show make up this hour long home video featuring interviews and concert footage. Filmed at the group's reunion concert at UIster Hall in Northern Island, the filmed performance highlights the traditional folk act's lively talent and dedication to recreating the spirited, indigenous songs of their Irish homeland.

Directed by Boubacar Ba.

Directed by Mike Hammon.

A concert film documenting a Cardiacs performance at the Salisbury Arts Centre on 30 June 1990.

The best soccer players of all time in one hour.

In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a festival) in the bathroom of his apartment. Facing the camera, the filmmaker thinks, alone, about the fall of the Berlin wall. "I've already spent 6 weeks here. With all the events in eastern Europe, it was like a hurricane. Berlin is a city where you feel the biggest changes, where you meet Polish immigrants, or others, escaping. Berlin will become a very violent city. What happens in eastern Europe is a bit like the end of the civil war in the US. The North, and all it's power stimulated by years of war, took over the South, who has lost everything. And there is this German past, the war, on all levels.

A lonely man tossed by life and hectored by his landlady finds happiness only with an alley cat.

A drama directed by Sigi Rothemund.

Directed by János Zsombolyai

A comedy special starring Steven Wright before an audience in Toronto's Winter Garden Theatre.

Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.