Jeonwonsa Film

While her husband is on a business trip, Gam-hee meets three of her friends on the outskirts of Seoul.

Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.

Hae-won, a college student, wants to end her secret affair with her professor, Seong-jun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Hae-won seeks out Seong-jun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Hae-won gets more agitated and Seong-jun makes an extreme suggestion to run away together.

Chun-su arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-su decides to visit a palace and meets Hee-jung there. Hee-jung is a painter and she lets Chun-su see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-su reveals something unexpected to Hee-jung.

A young woman and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves: There are three women named Anne, and each woman consecutively visits the seaside town of Mohang. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can be seen restlessly wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner’s daughter, and ventures onto the beach where they meet the lifeguard.

In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

Claire, a school teacher with a camera is on her first visit to Cannes. She happens upon a film sales assistant, Man-hee, recently laid off after a one-night stand with a film director.

After years living abroad, former actress Sangok is back in Seoul, staying with her sister Jeongok in her high-rise apartment. The siblings sleep late, have breakfast in a cafe and visit a restaurant owned by Jeongok's son. But as the details of Sangok's day accrue (a spill on her blouse, an encounter at her childhood home), it becomes clear that there is much she is not revealing. And these mysterious circumstances have something to do with her decision to meet with film director Jaewon to discuss her return to acting.

A novelist visits a bookstore run by a young colleague who's been out of touch, then takes a walk with a film director and his wife. She meets an actress and tries to convince her to make a film together.

A director, a cinematographer, and an actress spend the days leading up to a movie shoot together on-location, waiting for the director to come up with an idea for what the film will be about.

Kwon, a language school instructor, stops by her old workplace and receives a thick envelope addressed to her. A Japanese instructor named Mori had proposed to her two years ago. She turned him down. Mori had immediately gone back to Japan, but now was back in Korea looking for her. The envelope enclosed letters he had written to her during his search through Seoul. After Kwon finishes the first letter in the lobby, she grows faint coming down the staircase and drops the letters. She gathers them off the floor and sees there are no dates on the letters. She now has no way of knowing the order in which they were written.

While a South Korean man wanders the city in search of the woman he just broke up with, she successively meets and flirts with two men who claim to have met her before.

After a scandal breaks out among several students involved in the production of a skit, a lecturer at a South Korean women’s college brings in her uncle, a famous actor, to bring the work to fruition.

Sunhi, a film major graduate, visits her school to ask her Professor Choi for a recommendation letter to study in U.S. Knowing the professor favors her, she expects a good recommendation from him. Out from her shell after a long time, Sunhi also ends up meeting two men from her past: Munsu, her ex-boy friend, and Jaehak, a director who graduated from the same film school. Through the encounters between Sunhi and the three men, they give each other an 'advice on life' with good intentions. The three men who all have strong interests in her are led to guess and define her, unable to tell how she really feels inside. Strangely, the mentioned advices and traits of her are similar and seem to pass from one person to the next. The words of 'advice on life' seem doubtable and slip away as the three men's thoughts on Sunhi become more and more irrelevant.

On her first day at work, Areum replaces a woman who broke up with the boss. The wife of the boss finds a love note, bursts into the office, and mistakes Areum for the other woman.

Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.

A series of interactions take place between an established film director, his estranged daughter interested in interior design, an interior designer, and others inside a multi-story commercial and residential building.

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.

Areum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?