Thanhouser Company

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

Adele has grown up in a tenement, but she longs for greater things. She gets her chance at the stage when her mother runs into an old friend, Blanche. Blanche has been working steadily in the theater, and she helps Adele get work. The young girl finds romance with Vincent Harvey, an aspiring composer. One day Adele suffers an accidental fall out of a window.

Edwin Thanhouser re-made The Vicar of Wakefield in 1917 as a eight-reel feature film providing us with a frame of reference for the maturation of film language and cinematic techniques over the ensuing eight year period.

A messenger boy is wrongfully accused of stealing bonds worth $20,000. Luckily, a film crew is shooting a moving picture on the same street. The boy's accuser has the police convinced, until...

Family drama of a a brother and sister who take to the stage.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

To her aunt's dismay, Prudence isn't interested in society life. She'd rather listen to the butler's tall tales of being a pirate. Nixed from a boat trip, she rents a schooner, recruits a crew and raises the jolly roger.

An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill.

A rich man who finds that there is nothing in life worth living for, is worse off than is a poor man in similar circumstances, for the poor man may he stricken with ambition, and in a last effort to attain fame and fortune, redeems himself. But what is a man to do if he has wealth, health, all the fame he desires, and yet looks at life through blue spectacles?

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

Silent adaptation of Shakespeare's King Lear

A young mechanic, temporarily residing in a southern city, found that business was slack in his trade, and decided to send his wife to her relations in the north until happier days dawned. He did not dream that he was putting her in peril, and when later he received word that the ship upon which she sailed had been lost with all on board, he was frantic with grief and self-reproach. Life in this city became hateful to him, and having no ties that bound him there, he abruptly departed into the country, deciding to wander wherever fate might lead him.

A love story filmed in Long Island Sound with a stowaway and a shipwreck.

Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.

A young Russian woman escapes persecution in her country and makes her way to the United States. Shortly after her arrival she meets an American millionaire, John Colton.

In the home of the stalwart young son and his mother, the girl rescued from the sea grows strong again after her fearful exposure. Her attractiveness, so different from that of the fisher maidens, has a telling effect on the young man. He asks her, at length, to become his bride, and she accepts. But a few days before the wedding the affianced bride disappears, sailing away with a strange man from the city, who has suddenly appeared. Thinking that his sweetheart had deserted him for another, the fisherman is heartbroken for a time, but gradually the keen edge of his sorrow wears away, and he succumbs to the attractions of another girl, one who had recently come to the village with her father, and who had lived together and alone at the end of the town.

A lonely little girl is befriended by Shep, a neighbor's collie. The girl meets an untimely death, leaving Shep behind.

A young heiress was wooed and won by a man whom she believed would make her happy. She told of her engagement to her uncle, who was also her guardian, and was pleased and surprised when he interposed no objection. The uncle was a crafty man, however. His accounts of the estate were in a very bad way and he feared that if his niece married and his books were examined he might land in the penitentiary. Consequently he was not anxious to see her a happy bride, but being crafty to know what the worst thing for him to do would be to object to the man she selected, so he pretended to be very fond of the suitor and praised him on all occasions.

Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.