Cinegram

A child escapes from Poland during World War II and first heads to Greece before coming of age in Canada.

A tale of friendship between two men, one Jewish and the other Arab, as the state of Israel is being created.

Summer 1969. Dictatorship. In a small country town, young Achileas breaks his leg by falling off the yard wall of the local cinema. He wanted to see Brigit Bardot naked... However, during his visit to the city to treat his broken leg, for the first time in his life he sees a television! The program informs about the launching of Apollo to the moon. The idea of the launching becomes Achileas' obsession and along with his friends they collect money, in order to purchase a TV set. However, soon, the dilemma becomes imperative. Will they buy a television or "visit" all together Uranya in order to be taught the secrets of love?

Theophilus Palios, owns a small traditional publishing house. He man madly falls in love with Sia, that is doing vocals on the show of a known singer. Sia maintains her living by the "generosity" of old fans. In the face of Theophilus, Sia will experience true love, though it continues to accept the offers of numerous admirers. Theophilus mad by jealousy, is lead to huge wastages and ultimately to economic collapse. He ends up entangled in a case of robbery and murder. Sia, in a guilt and self-sacrifice crisis, becomes mistress of the investigating policeman in exchange for his silence. This creates an odd triangle ..

Ali is 18. His feet are firmly off the ground. The very idea of marriage seems like a game. But the bride's parents are ready and willing. Business ventures will be set up between the families; the arrangement will pay off all round. Ali, meanwhile, is more interested in playing with puppets and dressing up as a rooster for the travelling theatre. His fiancée has only so much patience... So what should his parents do? What was that? Hire a Borrowed Bride? Meaning exactly what? Well just that: borrow a bride, as the title of the film suggests......

Stefanos is a man at his 40's who has inherited a fortune from his mother's aunt. One day Manolis, his schoolmate, calls him and invites him to a party featuring an old friends' reunion. Surprised and delighted to hear his old friend's voice, Stefanos travels back in time, to his childhood and his youth, and remembers his extraordinary relationship with his cousin Marina, his best friend and first love. In a great long flashback, he remembers the utmost detail of his childhood, the family reunions, travels, acquaintances, and most importantly cousin Marina. By the coming of age, the dimension of the close friendship between Stefanos and Marina goes out of hand, and reaches its peak at a party when both are at their 20's. That party, that house, Marina... It won't be the last turn in Stefanos' life involving the very same trio...

A gently ironic portrait of a midlife crisis. Pavlos takes over the job of building manager just as a sewage pipe bursts. Will Pavlos succeed in fixing the broken sewage pipe before he can fix his own wrecked life? Director Hoursoglou succeeds in creating a faithful, entertaining, and even touching portrait of "ordinary" interpersonal relations.

Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.

Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.