Wabbit Twouble 1941
Elmer Fudd expects to find "west and wewaxation" during his visit to Jellostone National Park, but he sets up camp in Bugs' backyard, and the rabbit (and a neighboring bear) definitely don't have leisure in mind.
Elmer Fudd expects to find "west and wewaxation" during his visit to Jellostone National Park, but he sets up camp in Bugs' backyard, and the rabbit (and a neighboring bear) definitely don't have leisure in mind.
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.
A tour of Ciro's Nightclub packed with caricatures of many top stars.
Bugs Bunny is wanted "dead or alive" by the Mounted Police, led by Elmer Fudd. The "Fresh Hare" episode was banned from television for almost 30 years because it was considered too racey for the time.
Another entry in the "books come alive" subgenre, with possibly more books coming alive than any other. We begin with some musical numbers, notably the various pages of Green Pastures all joining in on a song, The Thin Man entering The White House Cookbook and exiting much fatter, and The House of Seven (Clark) Gables singing backup to Old King Cole. The Three Musketeers break loose, become Three Men on a Horse, grab the Seven Keys to Baldpate, and set the Prisoner of Zenda free. They are soon chased by horsemen from The Charge of the Light Brigade and Under Two Flags and beset by the cannons of All Quiet on the Western Front. All this disturbs the sleep of Rip Van Winkle, who opens Hurricane so that everyone is (all together now) Gone with the Wind.
Bugs Bunny becomes a superhero who does battle with a rabbit hating cowboy and horse.
Bugs, the Wolf and bobby-soxer Red chase each other around while Grandma is off working at Lockheed aircraft.
Three fun-loving, morally upright brothers from Pimento University save their fiancée from their fiendish archenemy, Dan Backslide, in this spoof of the Rover Boys.
Porky Pig and Daffy Duck owe an outrageous sum to the Broken Arms Hotel. The manager thwarts their efforts to escape without paying their bill.
On a tropical island, a pair of castaways look to Bugs as a source of food.
Spoof of Snow White and the Seven Dwarfs (1937) with an all-black cartoon cast. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.
Daffy is an agent representing Sleepy Lagoon, trying to sell him to talent scout Porky. Daffy spends a great deal of time and energy explaining and demonstrating what the kid can do, while the kid sits on a couch licking a giant sucker.
Daffy Duck convinces Porky Pig to quit the cartoon biz and try his luck in the features. Porky's adventures begin when he tries to enter the studio.
Bugs challenges Cecil Turtle to race, only this time he's wearing an aerodynamic suit like Cecil's. Unfortunately, the gambling ring has bet everything on the rabbit, and Bugs now looks like a tortoise.
Relaxing with a carrot at a U.S. Army air field, Bugs is reading "Victory Through Hare Power" and scoffs at the notion of mentioned gremlins, little creatures who wreak havoc on planes with their diabolical sabotage.
Porky Pig travels to a surreal land in order to hunt and catch the elusive Do-Do bird, reportedly the last of its kind.
It's recital day at the schoolhouse. First up: Porky, who recites The Midnight Ride of Paul Revere. A nervous kitten recites Mary Had a Little Lamb. The puppies Ham and Ex sing the title song. Oliver Owl plays the piano; Beans the cat puts a cat and dog inside, and they play a tune as well.
I Love to Singa depicts the story of a young owl who wants to sing jazz, instead of the classical music that his German parents wish him to perform. The plot is a lighthearted tribute to Al Jolson's film The Jazz Singer.
Bugs Bunny exploits the situation when an uncle leaves Elmer Fudd three million dollars on the condition that he harm no animals, especially rabbits.
Bugs heckles a black hunter and escapes from a bear. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.