Georgianfilm

War in Abkhazia, 1992. An Estonian man Ivo has stayed behind to harvest his crops of tangerines. In a bloody conflict at his door, a wounded man is left behind, and Ivo is forced to take him in.

Eka and Natia leave their childhood behind and ignore societal customs to escape from their turbulent family lives.

Vakhtang is talented artist but family liabilities don't allow him to work seriously. His wife Eka takes advantage of husband's trip out of town and exchanges her flat for a house in a colorful old city and sets up the artist's studio.

The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts dangerous experiments in search of a vitally important vaccine. His wife believes in his work, though his daughter would not understand him. His son, who is absolutely unlike his father in character, is trying to protect him. But self-denial in the name of science proves too high a price. Just when he is on the verge of discovery, the doctor loses everything he has gathered as a result of his twenty-year-long work. This loss brings him even closer to his son. The shooting of the film continued for seven years (1985-1992), making it a metaphorical culmination of the Soviet cinematography and the Soviet way of life as a whole.

In the mountain village comes a group of young musicians in Tbilisi. Here they are going to relax and rehearse. Sad story about the final rupture occurred, the peasants do not sing beautiful old songs, the musicians play music incomprehensible to them ... Far from the idyllic image of rural life.

Zaza Nakashidze is imprisoned for a murder he never committed. While in jail he tries to prove his innocence and with other prisoners, real murderers and thieves, dreams of freedom.

The legend of the Suram Fortress.

In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.

During WWII in Ukraine both sides are desperately looking for the information about a forgotten weapons warehouse.

story of the bitter life of an orphaned girl

Directed by Kote Mardzhanishvili Production: Georgia Goskinprom The fate of two Georgian schoolchildren, Gogi and Kiko, who share a love of painting, a dream to go to art school. The action of the film begins on the eve of the October Revolution.

Khareba Jibuti, Prince Kharashvili’s right hand man becomes an outlaw after he witnesses a series of injustices. After meeting another outlaw Gogia Kenkiashvili he joins his bunch in the forest. They cause lots of trouble for the local rich thus winning the hearts and minds of poor people. Nevertheless, when captain Akhvlediani opens the hunting season on two renowned outlaws he finds a much-needed man who is ready to show him their whereabouts.

Tadeoz Toroshelidze is the most reknowned wine drinker in the whole area. Once he even won a drinking horn in a competition that has rested in his house ever since.

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

A man struggles to survive after being shipwrecked on a deserted island.

Rachvelians, notables with their slowness tell awkward, partly unbelievable and very funny anecdotes they have gone through, while their countryman participates in long-distance race.

A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same set of actors in all four settings.

Gogia brings home a kvevri (georgian wine vessel) made in Imereti in Kakheti . Kvevri brought from a distance with a sledgehammer breaks carelessly. Gogia takes craftsman Abesalom home, who repairs the kvevri, but he himself will get stuck inside of it .

Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.