A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.
Variations on relationships in a New Year Day atmosphere set in a huge and rundown 1980s style hotel awaiting demolition by Lake Balaton, Hungary. Three women and five men in various ways.
Vera is an emotionally unstable young psychologist, who cannot even manage her own problems. After her musician boyfriend breaks up with her, she refuses to face the fact: she is no longer needed.
A student film by Béla Tarr, from 1979. Presumed lost until very recently.
Teenager Lena is preparing for her first ever sexual experience. She is overwhelmed by fears and expectations of the family legend of the Wonderpussy. Tonight Lena will find out whether she inherited the ability, which may change the way she sees her lover.
A young medic, Levente, spends his internship at a rural hospital in Hungary. He starts to question his trust in his teacher, professor Kovács, after a case with a Romani woman who had just given birth. Based on a true story.
The movie is a chamber play which takes place in a theater at one night. The main motive is a love triangle involving a married couple and an actor, we can observe the last minutes of their complicated relationship. The casual, the theatrical and the dream-like reality combines in the movie. Its theme is the constant conflict between the sexual desire and faithfulness.
Áron stands in his life as an average 29-year-old weirdo. He has many contemporary complexes, a fresh university degree, and a recent break up. His parents have to support him financially as he is still a job seeker and while Áron is agonizing on his lost love, he is always interrupted by something; it seems like he’s not the main character in his life.
A girl stuck in an apartment feels lonely and alienated, just like a ghost. She is transparent and silent, not entirely here but haven't decided to move on either. She might just be a memory floating in between dimensions.
A romantic drama in the Hungarian plain in the 19th century. A great love between the bandit and the poor girl, however the jealousy of Kitty the tavern keeper can destroy everything.
There was a train accident with fatalities. Keve meets strange figures. Are they realities or come from another world? Beacon is an apocalyptic vision, a Christian allegory and a coming-of-age story.
Father and Son. Two lines coming near to each other but only meeting in the infinity. Noel's father is dying. They have never been close to each other. The son feels that he must understand the reason for it before it's too late.
Mr. Miller cannot feel. He is never angry, never sad. In fact he doesn't have any emotions, he cannot suffer from pain, taste or smell. Other then this he is a typical Hungarian nobody exploited by all the other Hungarian nobodies. Strangers, neighbours, friends, everyone wants something from Mr. Miller and he gladly provides. In a single day he loses everything a human being can lose and this turns out to be a great fun for everyone except for maybe him. This is an absurd tragicomedy about the utter deconstruction of the imperfect Mr. Miller.
Janka's family is like rotten fruit. It's beautiful on the outside, but the deeper you peel its layers, the less beautiful it becomes.
Emil’s been busy feeling sorry for himself. Today he’s got stuck with the family dog whom he doesn’t know what to do with. Nevertheless he soon figures out how to take advantage of the situation.
As tensions grow between teenager Peti and his mother, the hope of a peaceful family celebration fades.
It’s the 1980s in Communist Budapest and 8-year old Málna shows up in her rock star father’s life, a man struggling with political oppression and various addictions. After the night out together, everything changes between them.
A lonely woman in war-torn Sarajevo embarks on a journey to find water, and neither her neighbours nor sniper fire can stop her.
Vilmos, with the unwavering conviction and stubbornness of a teenage boy, fights his parents with all his might. His only wish is to leave home, but he and his parents finally agree to see a psychologist first. The psychologist, recognising the boy's stubbornness, uses a less direct method, hypnotherapy, which involves the subconscious triggering of memories and desires. Both the psychologist and the boy are shocked by the sudden visions that interrupt the consciously driven scenes, and make Vilmos begin to see his parents in a different light.
