City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
Life and career story of MC Bob Rum, author and singer of "rap do Silva", one of the greatest funk classics during the 1990s.
Mateus is a video store clerk that deals with several weird clients everyday while he dreams to be a filmmaker like Tarantino.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Cléo is making her first film, inspired by french cinema and the nouvelle vague.
Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.
Ana who lost her mother, works as a dog walker in the south of Rio de Janeiro and lives on the outskirts of the city. Her brother is discovering the drag queen universe, creating tensions with the homophobic neighborhood. Ana has a group of activist friends who try to support her, including mental health support. The arrival of an old boyfriend stirs up personal tensions and draws the attention of armed groups that dominate the region.
Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
A soldier coming home after the Paraguay War meets a theater group. A shock between war and art.
On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Neville D'Almeida’s “Bye Bye Amazônia” tackles on the problems that plague the world’s biggest rainforest and its native people.
A couple lives isolated in a country house at th top of a hill, full of natural beauties. Their routine is changed when an unsual group of mannequins seems to gain life, and start to watch over them.
A tribute to Pier Paolo Pasolini's centenary. The film tells of his visit to Rio de Janeiro in 1970, returning from Argentina in the company of singer Maria Callas, when he met the young soldier Joaquim.
Arthur Bispo do Rosario's past is practically unknown. It is only known that he was black, a sailor and a boxer. In 1938 he was admitted to Colônia Juliano Moreira after a mystical delusion.
