Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife's sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.
Piotr (Paweł Królikowski) jest psychiatrą. Siedzi na nocnym dyżurze, gdy na jego oddział przywożą chłopaka. To Kamil (Lesław Żurek), syn którego nie widział całe lata. Chłopak znika ze szpitala równie szybko, jak się pojawił. Jednak Piotr postanawia nawiązać z nim kontakt. Zaprasza go do siebie i poznaje ze swoją piękną, młodą narzeczoną (Anna Geislerová). Po wizycie Kamila kobieta uświadamia sobie, że Piotr jest dla niej zagadką i naprawdę nic o nim nie wie. A Piotr rzeczywiście skrywa mroczną tajemnicę…
Marta is a romantic and a loser in school. She shares a room with her sister Kasia and grandma, who tells her granddaughters insurgency stories instead of fairy tales. In the room behind the wall, the parents - Tadek and Elżbieta - live their married life. He is an intelligent constantly humiliated by the state, he also makes his own moonshine after work and silently envies his prosperous brother in law. She is the leader of the "Solidarity" union at work, with the need for freedom and a dream to get out of Poland. The real adventure for the family starts when they manage to get their dream orange Fiat 126p. Ela and Tadek discover their appetite for trading and trips abroad, and the growing Marta will fall in love for the first time.
The beginning of 1945, Poland. In a newly liberated country, the Communist Security Service is annihilating its enemies under the guise of punishing "national traitors." They organize a labor camp for Germans, Silesians and Poles, on the site of a former Nazi concentration camp called Zgoda / Reconciliation. Franek, who is in love with the Polish prisoner Anna, goes to work as a warder in the camp to save her. He does not know that one of the prisoners - Erwin, his German friend, also loved this girl for a long time. Franek joins the communists in the illusory hope of outsmarting the system.
Casper, movie rental worker becomes an owner of a DVD with a registered murder, which John made for an unfaithful wife.
Francis Ratay witnesses the theft of church painting "Angel with violin". The entire incident recorded by an amateur camera. The thief turns out to Benedict Weber, gallery owner and art connoisseur. Francis comes to his gallery. Blackmails him, that will provide police record, unless the image in three days back in place.
Stories of three women struggling with alcohol. Dorota is a great prosecutor. Using her immunity, she tries to avoid responsibility for her offenses committed under the influence of alcohol. Her husband, a famous politician, helps her keep the problem secret and rescues her from many troubles but he slowly loses patience. A respected children surgeon Teresa has lost her family due to drinking problem, all she is left with is her job at the hospital where she is the main doctor. The situation goes out of control when the woman comes drunk to the hospital. A student, Magda, likes to party hard and because she is a good student and has a great job, no-one opposes that. At one moment, the girl loses control. A tragedy happens.
Klara and Aniela are two young girls who decide not to get married. This decision makes bachelors even more eager to conquer them. Adaptation of the classic comedy by Aleksander Fredro.
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.
Did the 1989 revolution in Central Europe devour its children? This question is answered by representatives of the anti-communist opposition from Warsaw, Prague, Budapest and Berlin. The documentary shows images of the upheaval, with songs by Jacek Kaczmarski, Jaroslaw Hutka and Wolf Biermann as a backdrop.
After 2 years in a mental hospital, Gosia, 18, is returning to her family and friends. As every other young woman, all she wants is a chance at ordinary life: to finish her studies and meet someone who will love her. She fights to be heard and understood, and speaks openly about her experience of schizophrenia.
Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.
Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.
