Barren Lives

Barren Lives 1963

7.40

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

1963

The Deceased

The Deceased 1965

7.30

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

1965

The Unscrupulous Ones

The Unscrupulous Ones 1962

6.30

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

1962

Assault on the Pay Train

Assault on the Pay Train 1962

8.00

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

1962

My Sweet Orange Tree

My Sweet Orange Tree 1970

6.90

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

1970

Com Jeito Vai

Com Jeito Vai 1957

7.00

Two new recruits at a fire station headquarter engage in a competition between two sergeants in personal rivalry

1957

Em Busca do Tesouro

Em Busca do Tesouro 1967

1

Jerry is a tutor at an orphanage. On the first day of vacation, the boys go to the beach with Professor Teobaldo and find a skeleton and a treasure map. Word spreads and a rush for gold begins. On the one hand, Jerry and Neyde, television colleagues; on the other, the director of the station, Indalécio, and his lover Aphrodite; finally, the evil Rock Trombada, in the company of scientist Bertini and Daniel. On Treasure Island, the three camps promote mutual sabotage. After many confusions, Trombada flees with the treasure to the ship's cemetery but they are surrounded by the boys and Indalécio. It's the final war. But it is Jerry who will take the wealth in order to improve the situation at the orphanage.

1967

Instant Love

Instant Love 1964

1

Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.

1964

Paraíba, Vida e Morte de um Bandido

Paraíba, Vida e Morte de um Bandido 1966

5.50

True story of a famous and violent Brazilian outlaw nicknamed "Paraíba". After being shot, Paraíba tries to hide inside a church, where he starts remembering episodes of his criminal life.

1966

The Men I Had

The Men I Had 1973

4.70

Married woman only feels well when she's in love. In search of a ravishing love, she has many love affairs, with her husband's consent.

1973

Bonga, o Vagabundo

Bonga, o Vagabundo 1969

4.80

Bonga is a bum who lives on the streets, alone and free, with no commitments, except for pulling off naive scams to get food. When he is in front of a nightclub, he meets a gigachad and builds a great friendship with him. The boy's businessman father pressures him to get married and so, with the help of the bum Bonga, they come up with a plan to introduce a fake fiancée to the family. But things don't go as expected, they get complicated, and at the time Bonga takes another friend he met on the streets and is in love with to his friend's house.

1969

Hunger for Love

Hunger for Love 1968

5.20

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

1968

Bom Mesmo É Carnaval

Bom Mesmo É Carnaval 1962

5.00

Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.

1962

Golias Contra o Homem das Bolinhas

Golias Contra o Homem das Bolinhas 1969

1

The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

1969

Massacre no Supermercado

Massacre no Supermercado 1968

5.00

Employees on a local supermarket plot an epic heist for robbing the place's vault, but things start to go wrong when they notice a police detective on their heels.

1968

Vai Que é Mole

Vai Que é Mole 1960

4.00

A group of scoundrels want to make it by planning hoaxes.

1960