RTS

A group of Serbian socialists prepares for the war in a surreal underground filled by parties, tragedies, love and hate.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

During the Yugoslav break-up, Federal Army officer is fed up with war and takes some leave in Belgrade. However, it turns out that he is less haunted by war horrors than with some sentimental skeletons in the closet. He meets his former comrade and best friend who is AWOL, but can't report him because he had an affair with his wife.

The search for the everlasting blue paint from Byzantine church murals turn into a sensual love story in which Europe meets the Balkans.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Set in the 1930s, it follows the imaginary journey of Vuk Karadzic and Joakim Vujic across Serbia in the form of a road movie. Once in Kragujevac, where they ask support from Prince Milos Obrenovic, they realize that they are competition to one another in terms of the future of Serbian language.

Vuk, a 30-year-old ex-convict haunted by his best friend's suicide, is trying to save his younger brother, Zizi.

The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.

Brief history of Serbian history from the World War I

Vera has young woman as the main heroine, who is in the jaws of the war spy network in WW2 and also of the patriarchal society in the Balkans with full of powerful, arrogant men with whom she deals bravely and arrogantly.

The story of a young man who, in 1991. receives order to report to a military drill, and finds himself on Vukovar front, where he spends five months. Returning from there, he discovers changes within himself, but within his home town also. Totally lost, he finds no way to make contact with the environment, and suddenly experiences love with the girl who survived all horrors of that war...

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

A love story between a teenager girl and a small time mob set in Belgrade during the times of great political turmoil.

By the end of 1915, during the second half of World War I, which had started by the Austro-Hungarian Empire's attack on a small Kingdom of Serbia, Serbian people, its army, and the state found themselves in the greatest tribulation in its long history. Serbia is attacked by the combined militaries of Austro-Hungarian Empire, Germany, and Bulgaria. Defending every road, every hill, every creek, during the time when every village, every plato, every crossing was becoming a historical landmark, Serbia, relying on the Allies, moved its people, its government, and its remaining troops to Kosovo--the only unoccupied part of the Serbian territory, but soon had to cross Albania in the hopes of reaching the Allies' ships in the Mediteranian.

Yugoslavian filmmaker Goran Markovic directs the psychological drama The Cordon. Set in Belgrade over Easter weekend in 1997, the film involves a group of policemen who respond to the city's political turmoil. Due to the overthrow of Serbian leader Slobodan Milosevic, violence and protests have erupted all over the city. Patrolling the streets in a bus driven by Uros (Ratko Tankosic), the unit consists of Crni (Dragan Petrovic), Dule (Nikola Duricko), Kole (Nebojsa Milovanovic), and Seljak (Nenad Jezdic). They are led by commanding officer Dragon (Marko Nikolic), who isn't entirely sure what to do himself. Throughout their weekend-long shift, each man battles with his own personal problems as the political tension escalates. The Cordon won the top prize at the 2003 Montreal World Film Festival.

A prominent doctor wants to commit a suicide. Two cops chose a wrong way while driving down the road. The suspected one believes that he'll never be caught. His pretty wife who works in a confectionery and she's able only to love. One boy will help them all, but he's not even born yet... Just an ordinary day.

Belgrade during the height of the war Yugoslavia in 1999. Kaja struggles with daily destruction and the constant threat of being drafted, but also with his impending divorce from his wife Tijana, who wants to emigrate with their son.

A comedy of characters in three acts by the Serbian writer Jovan Sterija Popovic from 1837. Sterija presented Kir Janja as a negative comic hero whose passion for money deformed his personality. He keeps complaining, even though he is very rich.

Dragi, young intern with his experienced colleague went to the province on a business trip. Older colleagues has the task to introduce a younger colleague into the business. They are sellers of books. But time is socialism. How to sell a book?