Kinescope Film

The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.

Teenage siblings Hannah and Timotheus grow up in a strict evangelical family and lead seemingly fulfilling lives in their free church community. When Hannah falls in love with their new neighbour, Max, and Timotheus discovers he is attracted to men, their feelings collide with their family's values.

Elaha, 22, believes she must restore her supposed innocence before she weds. A surgeon could reconstruct her hymen but she cannot afford such an operation. She asks herself: why does she have to be a virgin anyway, and for whom?

This grandiose concert, held in Krakow (Poland), brings together Hans Zimmer's greatest film scores: ‘Gladiator’, ‘Interstellar’, ‘Pirates of the Caribbean’, ‘Dune’ and ‘The Lion King’.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

Nore and Jonna meet again by chance in their early twenties and move in together. In conversations, it becomes clear that Nore was never the precocious "femme fatale" who admired as well as bullied Jonna, but experienced sexual assault as a young girl. As Nore struggles to reclaim the narrative for herself, a genuine friendship develops.

He was America's first idol, icon, pompous pianist, pop star, egomaniac and show giant. Liberace's life was a rush, always in the fast lane on the highways between Los Angeles, Las Vegas, and Palm Springs. In the middle of the Californian desert, where Hollywood stars celebrated wild parties at their pools in their "private oasis", he led an ambivalent life between pomp and secrecy. Liberace knew the entire "who is who" of Hollywood. Some of them he needed as an alibi, some to admire, some to promote. This documentary focuses on his life and success story as part of the "American Dream" in the bigotry of a divided society.

A feature-length documentary film dedicated to the life of the modern Bolshoi Theatre.

Thirteen-year-old Daniel lives with his older brother and terminally ill father in a village plagued by rural exodus. There, the young people live their lives between rare bus stops, xenophobia, unemployment, illegal dog fights and chemical intoxicants, among other things. Daniel stands between childhood and adolescence, and in the face of the indifference and stagnation of his surroundings, he becomes the victim of inhuman conditions that force him into a painful loneliness.

The mysterious parallel story of Italian painters Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), brothers-in-law, public rivals and masters of the early Renaissance.

In the middle of the Schaalsee runs the bureaucratically precisely defined "fluid border" between the FRG and GDR. One night a storm shifts a buoy of the border line. While the border and measuring troops from East and West meticulously try to restore order, two land surveyors throw their prejudices overboard and tear down the border between them for a short time.

Johanna’s dangerous talent is showing early – after a traumatizing loss of control she is forced to keep her powers in check. As she gets older, it’s getting harder and harder to do, so she contacts a secret group. The members want to unleash Johanna’s powers and tempt her to more drastic steps.

Approximately 4 million people in Germany have a brother or sister who is chronically ill or disabled. They have to deal with issues such as responsibility, renunciation and loss much earlier than their peers. Their reality is fundamentally different from that of other children and adolescents. Quietly observing and with great respect for all family members, the film approaches the different life realities of such siblings and depicts their everyday lives.

In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.

Documentary feature film about the life and work of renowned philosopher Hans Blumenberg (1920-1996). Christoph Rüter gives the word to three of Blumenberg's former students, who today work in very different sectors: As a taxi driver, an ad writer and a philosopher. They give a very personal account of how Blumenberg's thoughts and ideas have informed and inspired them.