A mix of spectacle, animation and dance, the film reveals an early delight in the potential for creative fun with film form. Its director, Walter R. Booth had been described as making British films which attempted to out-Méliès Méliès.
Propped upon the tail-end of a match, a housefly performs astonishing feats, alternately juggling a series of objects - a blade of grass, a cork, a miniature dumbbell… Most extraordinary of all is the sequence in which the fly spins a ball twice its own size, while a second fly perches on top. In the final sequence, the fly repeats some of its earlier tricks while apparently seated on a tiny chair.
The artist is presented, with his board: his only appearance. The hand rapidly outlines a human head, into the chalky jaws of which it inserts a cigarette. The chalk head smokes, and finally eats, the cigarette. The head of a woman is drawn, which gradually fills and becomes undoubtedly human. —Urban-Eclipse catalogue
Being a complete pictorial account of the remarkable "Fête des Vignerons", at Vevey, Switzerland.
