Nómada Producciones

Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.

Pancho and José Santos, bandits from Teno, known by their fondness of tearing their enemies' faces, meet after four years for another robbery. After re-telling their adventures, they cross paths with Saturnino who has old accounts to settle with them.

A young Hispanic-Creole captain spends six months captive among the Mapuche, learning that the supposed “barbarians” were more human than the “civilized” ones.

A group of left-wing intellectuals take over a building with the purpose of forming a Ministry of Culture, however, the workers oppose the takeover. Intellectuals and workers establish a coexistence pact while waiting for Godoy, a union boss. After conflicts over ideological differences about culture, the takeover dissolves, just when Godoy appears with a totally elitist and apolitical discourse.

A film director is attacked in his home by two subjects who have usurped the physical resemblance and the name of an actor in his films, long dead. A hypnotic journey, creepy revelations, sorcerers and vegan zombies.

An apparently superficial geologist leaves a wayward history student and proposes to a nudist neighbour.

An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.

With the Kafkaesque phrase "he who does not seek does not find, but he who does not seek is found", Sánchez begins an episodic story scripted and filmed in only 27 hours where there is virtually a single location that resembles, in a very stylized way, a prison. From there, Alejandro, a young lumpen, interacts with various characters that burst into the space, generating situations that allude to his minimal survival, reselling or exchanging objects. Voy y vuelvo is verbally organized with an anthropological approach, with the same interest of the director for the Mapuche dialect in Cautiverio Feliz and in Date una vuelta en el aire, and from there incorporates elements of popular culture and the notion of purgatory as a recurring figure.

A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.

A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.

This documentary is about the political persecution suffered by the leaders of the so-called Revolución Ciudadana when ex-president Rafael Correa Delgado left the government, which led to his exile in different parts of the world, including Mexico. This feature film recounts eight stories traversed by betrayal but also by the paths of the fight for utopia, justice, and the well-being of the people.