Fortuna Films S.L.

Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

Three men plan a jewelry heist abroad the Andalusia express train.

The Ballad of Kid Divine: The Cockney Cowboy is a very funny spaghetti western-Peckinpah-Leone pastiche that sees Michael Elphick's charlatan elixir seller, Neil Morrissey and Martin Clunes as the notorious and the not so notorious Irish bounty hunters all in pursuit of Kid Divine (Jesse Birdsall) a baby faced killer with a $25,000 price tag on his head.

In 1955 Buenos Aires, a broke theater troupe turns to scamming funerals for survival. Their big break comes with a wealthy embalmer's inheritance, but the lead actor's immersion in a female role triggers an unexpected identity crisis.

In precise, unhurried compositions of image and sound, Lamar’s feature debut portrays a man and his dying wife, living in a remote hut in the hills of Paraguay. All the stages of mourning are passed through in a single day in this wordless account of an emotional earthquake.

Lafraise and Plumard, two rookies on the ship Le Victorieux, are on leave in the port of Toulon. At a time they get lost and in order to escape the Navy patrolmen, they disguise themselves and board a train. Now it happens that in the convoy a delegate of the government is on his way to Paris, with the mission to inaugurate a monument there. But the circumstances are such that our two friends are mistaken for the Minister and his secretary. Unabashed, the pair does the job, in other words, they deliver the expected speech, eat like horses, live it up - until they are recognized. Which eventually results in a prolonged stay in an unpleasant kind of hotel room named - the hold.