Lady Snowblood

Lady Snowblood 1973

7.50

Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.

1973

The Face of Another

The Face of Another 1966

7.80

A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.

1966

Lady Snowblood 2: Love Song of Vengeance

Lady Snowblood 2: Love Song of Vengeance 1974

6.40

Lady Snowblood is caught by the police and sentenced to death for her crimes. As she is sent to the gallows she is rescued by the secret police who offer her a deal to assassinate some revolutionaries.

1974

Goyokin

Goyokin 1969

7.50

A guilt-haunted samurai warrior attempts to stop a massacre taking place.

1969

Girls of the Night

Girls of the Night 1961

6.90

In the wake of the 1956 Prostitution Prevention Law, a young woman recently release from one of Japan's new rehabilitation centers struggles to build a new life.

1961

None But the Brave

None But the Brave 1965

6.30

American and Japanese soldiers, stranded on a tiny Pacific island during World War II, must make a temporary truce and cooperate to survive various tribulations. Told through the eyes of the American and Japanese unit commanders, who must deal with an atmosphere of growing distrust and tension between their men.

1965

Illusion of Blood

Illusion of Blood 1965

6.20

The ghost of a samurai's wife takes revenge on her husband.

1965

Happiness of Us Alone

Happiness of Us Alone 1961

9.00

The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.

1961

Bitterness of Youth

Bitterness of Youth 1974

6.30

A footballing law student tutors an undergraduate, developing into a romance that soon enough goes awry.

1974

The Wayside Pebble

The Wayside Pebble 1960

1

In Meiji era Japan a sixth grade boy is smart, likable and confident and owing to his academic success liked by his teacher. Things are not going well at home, however, where his father does not work leaving the mother to toil . With the boy's family having no money he cannot progress his education and has to drop out of school. A neighbour, who is a bookstore owner, offers the family money to allow the boy to continue his schooling, but the father is too proud to accept and rebuffs the offer forcing the boy to work.

1960

Main Line to Terror

Main Line to Terror 1975

6.04

Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.

1975

Doterai Man

Doterai Man 1975

9.00

Business is a game! A theatrical version of the TV drama that became a social phenomenon starring Teruhiko Saigo. Set in a wholesaler town in Osaka, it depicts the activities of the main character Takezo Yamashita who repels adversity with a man's stubbornness and guts.

1975

Hymn to a Tired Man

Hymn to a Tired Man 1968

7.80

Zensaku, middle-aged and deaf in one ear, learns that his son's fallen for the daughter of a war officer responsible for the maiming.

1968

Room for Let

Room for Let 1959

6.00

When Yumiko Tsuyama, a potter by profession, comes inquiring about a room for rent in an old mansion overlooking Osaka, she finds a bizarre collection of characters already living there. The unlikely leader of this menagerie is Yoda Goro, who speaks four languages fluently, is an expert in cabbage rolls, and has written how-to books encompassing every aspect of human existence.

1959

Attack at Daylight

Attack at Daylight 1970

5.00

A truck driver is reunited with friends from his youth in a seedy bar and gets drawn into a web of crime.

1970

Hanayome-san wa sekai-ichi

Hanayome-san wa sekai-ichi 1959

1

A young Japanese-American comes from California looking for a bride, going on blind dates with three candidates from Osaka, Hiroshima and Nagoya.

1959

Morishige, where are you going?

Morishige, where are you going? 1956

1

A man who seemed to have found happiness with a wife and child loses his wife and his daughter gets married... A man's life, full of joy and sorrow, is vividly depicted to the tune of "Moonlit Desert" in this humanistic drama full of pathos, starring Hisaya Morishige.

1956

Bride of the Andes

Bride of the Andes 1966

7.00

A young Japanese woman comes to Peru to marry a man she has never seen in this somber drama highlighted by cultural differences. Her husband is a first-generation Japanese and both are bound to the time-honored tradition of arranged marriages. Bringing her child from a previous marriage, she finds her new husband living with Andes Mountain Indians and working for an archaeological expedition. The man and her boy take to each other, and the woman begins to study and understand the lives of the Indians. When her husband is killed mining for Incan treasure, she uses the money sent by the state to stay and help the villagers whom she has come to love.

1966

Slaughter in the Snow

Slaughter in the Snow 1973

6.00

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?

1973