The Onassis Foundation

HOW ARE WE is a collectively-created performance consisting of fifteen 90-second solos that respond to 10 prompts proposed by artists Emily Mast and Yehuda Duenyas.

Humanity has been struck by a pandemic. People from around the globe have fallen asleep and nobody knows when they're waking up. Only few of them haven't been infected. Among them, there's a boy who fell in love with a girl right before the outbreak of the epidemic. With an old camera, he tries to capture the beauty that's left in the world, so the girl can see it when she wakes up.

Altostratus clouds are grey or blue grey. The sun or moon may shine through these clouds but it's signaling that a storm is on the way. This is a piece involving movement, sound, and text. It is meant to hold a space for reflection, to consider what hangs above us and how it all may fall.

Sometimes you feel like an inflated prophylactic glove, and you almost want to jump out the window.

In a distant future world, where water and air are contaminated, and it is prohibited to touch one another, a girl and a boy decide to go to a beach. Yorgos Zois creates an erotic sci fi through these dystopian times.

"Getting a check." This artwork was created in the context of ENTER project, an initiative of Onassis Foundation. Onassis Stegi and Onassis USA give artists from all around the world 120 hours to create from home a series of new original commissions; sharing their new reality. Let’s ENTER.

A rapper writes his new song, talking about his night out in the center of Athens. He sits in the kitchen of his apartment, where we see a mosaic floor and some colorful tiles on the wall. At night, a car wash transforms into a kickboxing studio, where the employees practice in pairs – yet all alone. The floor is mosaic and there are colorful tiles on the wall.

Isabella is in quarantine due to the coronavirus. She decides it’s the right time to read all of Darwin’s books, but the writing is heavy and she falls asleep while reading. Darwin’s ghost appears in her dream. He wants to talk about the expression of emotions, because Isabella is an actress. Darwin explains that in his book “On the Expression of Emotions on Man and Animals,” he presents his hypothesis that basic expressions – just like bones or the famous beaks of his finches – are also shaped by evolution.

Two men go in search of a birdman to become a bird in nine steps.

Hamlet browses his desktop. Shakespeare’s play themes become transparent through the use of media. During an evening screen-mirroring, love, grief, anti-depressants, death, self- destruction are intermixed with endless references to pop internet culture, to animation, to current affairs.

Girlhood follows the story of three seventeen-year-old girls in a neighborhood in the center of Athens as they go through the difficult period of transition to adulthood while in quarantine isolation. Christina, Nefeli and Vera experiencing sexism, dream of their independence and try to learn to love themselves. With their faces glued to a screen, they take refuge in each other and await to finish school.

Set against video material of dancers in six-foot proximities, Parson reads from a diaristic meditation on the spatial protocols that have been set for us in our new world of Covid-19 behaviors.

A man describes in as few words as possible the human race, which may be already extinct.

Five sights of Athens as seen from another point of view. The various names of Truman, the passing-by runner, Charilaos Trikoupis’ specialty, the animal instincts of love, and Melina, they all share personal data in the time of mask-wearing. Now, people and sights find time to get to know each other.

Browsing through his collection of snapshots from safety cards during take-off, Daniel Wetzel of Rimini Protokoll reflects on what these images can tell.

A native acanthus (Acanthus mollis L.) is torn apart. Laocoon’s Group and the allegory of Saint Paisios of Mount Athos. Arvo Pärt's “Triodion” begins with Trisagion and ends with it. Every beginning of Spring, Aris suppresses the momentum of weeds in the garden.

“We are the King of Ventilators” is a compelling and prescient performance to camera by Jim Fletcher, directed by Tim Etchells, with text by Chris Thorpe. The work takes a phrase about US ventilator production repeated by US President Donald Trump during the Covid-19 epidemic, and places it in sharp counterpoint with original material to create a comical and unsettling reflection on power, mortality, and delusion.

Fighting Monkey Practice. Want to move better? Age better? Cope better with stress and the uncertainty of everyday life? How about start working on it while housebound? Linda and Jozef are introducing the basic principles of Fighting Monkey Practice. Life rarely happens as you expect. Most of the time it is unpredictable. What games do you play to grow young? There are no ‘exercises’ complex enough to prepare you for life. But open games–or movement situations as we call them–which involve partners, ever-changing rules, and are developed through the context in which we live, can. Instead of trying to ‘fix’ your body, try to learn joyfully and with long lasting benefits the importance of adaptability.

A desperate meditation on the extended passage of time as experienced through social distance.

Who are the people who clean the roads of the world? Why are the majority of them women and immigrants? The well-traveled show “Clean City” of the Onassis Foundation Stegi becomes a hybrid film. Four separate directors follow the tour of the show to four cities - Skopje, Sarajevo, Montpellier, Istanbul. Immigrant cleaners, stars of the show but also of their real lives, talk about their experiences, touch on the subject of racism in terms of what is “pure”, the danger of fascism, female immigration and sexual abuse. An anthology film somewhere between documentary and fiction, having as its starting point the filmed theatre play by Anestis Azas and Prodromos Tsinikoris.