A. Khanzhonkov and Co.

A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars a cast of animated beetles.

Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her.

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

A Father Christmas ornament climbs down from a decorated tree, and goes to the forest. There he creates and decorates a Christmas tree for the forest creatures. He then invites all the insects, along with a friendly frog, to come and enjoy the gifts he has prepared, and to celebrate Christmas.

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them…

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

Based on Pushkin's short story: When his friends play faro, Germann always enjoys watching, but he never gambles himself. One day, as he is watching their game, he learns that an elderly countess staying nearby is said to possess a secret for winning a fortune at the game. Germann is determined to learn this secret from her, and he initiates a romance with her grand-daughter Liza, in order to improve his chances.

Based on Gogol's story. It is Christmas Eve, and the town witches’ son, a blacksmith, seeks an honest marriage to his love who wishes for a pair of shoes fit for the Tsarina. A mischievous devil is trapped into providing service to the smith.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

An ant works to prepare for winter while a drunken grasshopper plays his violin and dances away his time. When the snow arrives, the grasshopper pleads with the ant for shelter and is turned away to die.

In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position.

Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of her hair that he has saved. One day, while walking in the street, he passes by a woman who bears a striking resemblance to Yelena.

"Rusalka" or "Mermaid" based on Pushkin, an opera by Dargomizhsky, and other sources: A prince and a miller's daughter have been involved in a romance together, but now the prince tells her that he must break it off. After the prince leaves, the distraught young woman attempts to drown herself. When the prince's wedding day arrives, he is tormented by her image, which appears wherever he goes. Eventually, he is compelled to return and to try to find out what happened to her, regardless of the consequences.

Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal.

Seamstress Mary dreams of a better life outside a sweatshop. Her dreams come true when she draws the attention of the bourgeois Victor. She soon tires of him, and thanks to her, his money is almost gone. When he suggests settling down outside the big city, where his money could be enough for a modest living, she leaves him and picks up a new lover. A year later, he is living in a shabby, cold hovel, still pining away for her.

A dramatization of a wedding in 16th-century Russia, between members of two prominent boyar families (based on paintings by Konstantin Makovskii): Three matchmakers first visit the family of the prospective bride, and then do the same with the prospective bridegroom's family. Later, as the time of the wedding draws near, the bride is dressed with great formality and prepared for the ceremony, as the guests get ready to celebrate the upcoming wedding.

A young man discovers the reason his new bride killed herself.

This film was the last work of Yevgeni Bauer. At work on the film previous, For Happiness («За счастьем») Bauer broke his leg, and he shot his last film while in his chair, but soon fell ill with pneumonia. He began shooting in early summer of 1917. But he was soon placed in Yalta hospital and 9 June 1917 he died.