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The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

A Hong Kong historical drama

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

On her mother's order, Luk Wai Wai goes to the Shi family to serve her eccentric aunt, Mrs. Shi, but she accidentally witnesses a murder and is almost killed by the murderer, Tam Pak Lam. The murderer, Tam Pak-lam, is almost killed by her. In order to avenge his father's death, Tam Pak-lam sneaks into the Shi family to carry out his murderous plan.

A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

Woo Ting-ting (Julie Yeh Feng) is a smart, tall, introverted and snobby young girl who embodies the idea of the unattainable beauty. On the other end of the spectrum, Ting's younger sister Bin (Jeanette Lin Tsui) is an outgoing, fun and bright girl-next-door type who exudes youthful energy. Ting's cold demeanor makes a lot of boys give pause about pursuing her, but the arrival of car dealership employee Kam (Roy Chiao) changes everything. Meanwhile, Bin's flirty nature attracts too many boys, and it finally becomes trouble when the wealthy Li (Tian Qing) grows obsessed with her.

Hong Kong horror / mystery.

This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.

When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

Hong Kong drama directed by Wong Tin-Lam.

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?