GREC

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

John lives for football and will do anything to make a career from it, even if it means facing the prejudices of the changing room.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.

Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

In a delicate style, Moeschler portrays the return of a young man from the countryside to his hometown. The ecstasy of the reencounter, the possibility of a fresh start, friendship and love, the deserted streets at night.

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.

In Corsica, four girlfriends share the last days of an endless summer. It's hot, too hot to do anything. While they share their secrets, Camille, the youngest of them, says she's pregnant.

A sleepwalker decides to paint the town red. In the search of the wild painter, a young night watchman delivers some monologue.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

In Paris, men are waiting for a possible daily job in an agency. Among them, two novices Jean-Pierre and Théo. They find themselves in the suburbs to make a regular move.

A 1990 short film from Alain Guiraudie concerning the conversations of two film makers as they meet each night.

A man trying to get through the Paris traffic meets a woman, somewhere between dream and reality.

It is the end of summer, 6pm. Logan is meeting his best friend who is being let out of a psychiatric ward. Theo has been treated there for 2 weeks after an accident. Before Theo’s mum arrives, the two boys run away to the biggest rave party of their lives. Logan thinks that Theo has changed, a truth he can feel but refuses to acknowledge. The two boys continue their escape through the mountains, to a party that remains out of reach.

One summer afternoon, a little theater of desire and domination, tender and sometimes cruel, is established between the young waiters and clients in a Provence bar.