Ključna riječ Indigenous

Karamakate je nekada bio moćan šaman iz Amazonije. Posljednji je živi pripadnik svog naroda i sada živi u samoizolaciji duboko u prašumi. Godinama je već u potpunoj samoći, što ga je pretvorilo u praznu ljudsku ljušturu, lišenu emocija i sjećanja. Ali njegov prazan život će doživjeti obrt kada u njegovo zabačeno utočište dođe Evan, američki naučnik koji je u potrazi za jakrunom, rijetkom i neistraženom ljekovitom biljkom, koji će ga naučiti da sanja. Karamatake će se pridružiti Evanu u njegovoj potrazi i zajedno će poći na putovanje u srce džungle na kojem će se prošlost, sadašnjost i budućnost ispreplesti, i na kojem će šaman povratiti svoja izgubljena sjećanja.

'The Turning' je kolekcija kratkih filmova baziranih na kratkim pričama australskog pisca Tima Wintona objavljenih 2005 g. Radnja priča je smještena uglavnom u Zapadnu Australiju, u udaljenim primorskim gradovima, 18 labavo povezanih priča o ukletim muškarcima, preplašenim ženama, ugroženoj djeci, momentima misterije i duhovne transformacije. Inicijator projekta, režiser i producent Robert Connolly, uspio je okupiti najveće talente australskog filma u djelu koje odražava iznimno dosljedan cilj pun melahonlije, žaljenja i čežnje.

This psychological thriller follows two Navajo police officers, Leaphorn and Chee, in the 1970s Southwest as their search for clues in a grisly double murder case forces them to challenge their own spiritual beliefs and come to terms with the trauma of their pasts.

Hybrid docuseries offering an expansive exploration of the exploitative and genocidal aspects of European colonialism, from America to Africa, and its impact on society today.

Anna Millman is a portuguese teacher, she falls for Joaquim Martinho, an actor. Both meet in Europe and travel to Brazil together with the future princess of Brazil, Leopoldina from Austria. The romance between the teacher and the actor evolves during a time of revolution, the independence of Brazil

When a young Bogotá-based detective gets drawn into the jungle to investigate four femicides, she uncovers magic, an evil plot and her own true origins.

Taylor Starr, Adam Palmer, Kru Williams, and Don Froese band together to solve the legend of Slumach's lost gold mine.

An Indigenous teen struggles to support his dysfunctional family as myth, magic, and monsters slowly infiltrate his life.

Follow the lives of the Chinle High basketball team in Arizona's Navajo Nation on a quest to win a state championship and bring pride to their isolated community.

Set in pre-colonial Aotearoa, we see the lives of three prominent chiefs doing whatever it takes to keep their people safe and maintain their chiefly honour.

Science-based documentary about the extraordinary wonders of one of the last intact wild places left on Earth – Ningaloo, a refuge for thousands of species of wildlife unknown, extinct, or endangered elsewhere.

Indigenous people resist government mega-projects, consumer culture, competing religions, resource extraction and climate change in this four-part documentary series. In the US and around the world, native communities share ecological wisdom and spiritual reverence while battling a utilitarian view of land.

See the real modern-day Amazonia through an exploration of the Amazon Basin, meeting a different group of people who live there in each episode.

A dramatised-documentary series giving a unique insight into the compelling history of the Torres Strait Islands, told through key stories by the men and women of the region.

Young people from 11 Indigenous nations across Quebec take part in expeditions where they can put their ancestral know-how to use, discover the earth's resources and test their physical endurance!

Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."