Uma Pedra no Sapato

In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.

Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."

Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… And they are not the only ones.

1907. Afonso, a doctor, arrives at Principe Island to cure servants from a cocoa plantation “infected” with Banzo, nostalgia of the slaves, who are dying from starvation and suicide. The group is confined to the forest, where Afonso decides to heal them by trying to understand what is affecting their soul. Will he manage to save them?

Minas de São Domingos is a small village built on a mine in the Alentejo region of Portugal. Today, the mine, which in other times kept its neighbours in employment, is no longer operating. It is difficult to imagine a future for this slightly forgotten land, criss-crossed by ruins that bear witness to a happier era, and virtually abandoned by inhabitants forced to leave to find work elsewhere. It’s summer, children play in the street, tourists camp next to the river, adults burst into traditional song in the ruins of the mine. Here, everything happens as a community, as if being together was the only possible answer to the question formulated by the film’s title.

After another failed attempt to get pregnant, a young couple begins to diverge in their desires. Pandemics, climate change and life’s uncertainties loom large. What does it mean to bring a child into an ever-more-complicated world? The cycles of nature and the seasons remain constant either way.

Ze, a 17-year-old, studies hard at school to succeed in the cold, callous society of modern Mongolia. When Ze encounters Maralaa, his senses are awakened and another reality seems possible.

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.

Portugal, 1968. Salazar, the longest-serving fascist dictator, falls from his chair and suffers a stroke. Returning to his Palace to recover from illness, he is no longer President. No one reveals this him: neither his loyal housekeeper, nor his hard-working maids, nor his doctor. Does Salazar want to overcome death and perpetuate his power? How can he stay sane in that hallucinatory Palace?

October 2019, Great Yarmouth, Norfolk (UK). Three months before Brexit. Hundreds of Portuguese migrant workers pour into town, seeking work at the local turkey factories. Tânia (The Mother of the Portuguese), a former worker in these poultry plants, is now married to an English hotel owner. She is the perfect facilitator for the Portuguese workers, but dreams of becoming a British citizen and leaving this dirty business behind by transforming her husband’s derelict hotels into refurbished senior citizens homes.

At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

'Bué Sabi' (pronounced "bweh sabi") portrays the unlikely friendship of three female characters: a troubled girl of Gypsy descent who lives in one of Lisbon's toughest neighbourhoods, her best friend from Cape Verde and a young middle-class girl. Apart from their differences, they are good friends. Until one fateful night in Lisbon...

Alberto is a Portuguese environmental engineer who decided to change his life. He travels to a West African metropolis (an imaginary and futuristic city that has both Guinea-Bissau and Luanda), where he will work as an engineer in the construction of a road between the jungle and the desert. Moved by the hostility of the elements, the oppressive heat and the loneliness, Alberto meets Ema and Ben. Like him, these two locals are driven by an impulse to escape and overcome their origins. The bond between the three becomes for Alberto the only guarantee of mental health amidst a process of brutalization and widespread barbarism that spreads among his fellow expatriates, from the construction site to the NGO offices.

Mena lives alone with her daughter Clara. Today is Clara’s seventh birthday. Despite her limited financial resources, Mena still manages to organise a birthday party. But after a phone call from her mother, she becomes distraught and anxious.

1975, the year after the Carnation Revolution. Eduarda, João and Mick come from Northern Europe to work in the co-ops in the occupied farms of central Portugal. Like many others, they come to help with the land and the livestock, give medical appointments, family planning classes, show sexual education films and participate in the traditional dances. They bring a great deal of questions, but the “comrades from the South”, in turn, have more questions than answers.

Cláudia Ribeiro spent seven months – since the time of plantation till the crops – capturing the work in the fields of the sisters Ana e Glória, in Passinhos de Cima, between the rivers Douro and Tâmega. It is an isolated place, where the baker, the fish seller, the grocer and their sons visit once a week. This a film on a way of life, the subsistence agriculture, but also about the humour and the ironies of representation and hospitality.