ELO Film School Finland

A daughter writes a letter for her father, who she lost after he was sentenced on charges of blasphemy.

A documentary about one night at Alexander Theatre in Helsinki. Staff prepares for 300 guests, serves them and closes this historically significant building for the night.

Three young women are having hard time, each of them having their own struggles. They share kindness, compassion, hope. Then suddenly one loses their phone and the girls are pulled into a sudden chase around Helsinki.

Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.

Janika takes advantage of her pregnancy by smuggling amphetamine from Tallinn to Helsinki with her brother.

Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.

Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?

After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.

It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?

Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.

Pathologist Abrikosov gets a phone call that a fly has taken a refuge inside Lenin's sarcophagus. No one knows how to get rid of it. Its Mayday 1936 and Stalin himself is about to come to inspect the body prior to Mayday festivities.

Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.

Helena is spending an evening with her family when someone knocks on the door. Unknown man confronts Helena with accusations towards her perfect family. Helena drives the man and the accusations away. But the seed of doubt has been planted.

Road racing driver Juha Kallio sits on a leather couch with a beer in his hand, watching a DVD of one of the fiercest motorcycle races in the world. ‘Could you do that?’ asks his friend sitting beside him. ‘Yeah, I could,’ answers Juha calmly, even though the Isle of Man TT Race circuit is challenging for any driver. The dangerous route has over 200 turns that need to be memorized beforehand. Participation doesn’t hang on ability alone. It takes not only skills but also luck to get a spot on a team, not to mention cash to cover the expenses. The few tenners worth of gas vouchers won on Finnish circuits barely cover the ride back home to Imatra. Maybe the local chicken farmer would sponsor a familiar face? The road to the legendary race is bumpy. The Fast of the Forest is a film about the daredevil world of road racing. It is also a story about perseverance. Quitting is not an option, even if the dream starts crumbling only moments before it is to become a reality.

Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.

The summer ahead is long and hot but the burden of shame from the past is haunting Joonas, 24, and driving him to solitude. A sudden phone call changes the direction of his summer and brings Joonas to an old manor for a summer job, forcing him to open up to his new workmates and to face his shame. Joonas works hard under the burning sun, driven by his past mistakes, whilst the others lounge under the calming shade of trees. On the last day the group loses track of time and misses the last bus home. They are left at the old manor and a magical midsummer night begins.

The supermarket is nearing its closing time, and the last customers are queuing for their turn at the fish counter. The agonizing wait offers a chance for existential reflection and a little song.

Joy the Magic Clown’s faith in herself is being tested. But if you can’t believe in yourself, how can you believe in magic?