Andergraun Films

1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duke de Tesis and the Duke de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.

Island of Tahiti. French government official De Roller is a calculating man with impeccable manners, capable of dealing with both high society and the locals he frequents in shady joints.

Jérémie returns to his hometown for an old friend’s funeral. In this village where so much goes unsaid, he must contend with rumours and suspicion, until he commits an irreparable act and finds himself at the centre of a police investigation.

Casanova meets a new servant who will witness his last moments in life, from a castle with its libertine 18th century atmosphere to the poor, shadowy Northern lands. There, his rationalist way of thinking and mundane world will succumb to a violent and romantic force, represented by Count Dracula.

The Three Wise Kings travel in search of the Messiah, with unexpected obstacles on the way.

The life of the bullfighter Andrés Roca Rey during a day of bullfighting, from the moment he dresses up to the moment he undresses.

Trusting in fate, Don Quixote and Sancho pursue their travels in search of adventure day and night. They ride through fields, talking about subjects as varied as spirituality, chivalry and daily life. A growing bond of friendship unites them.

Catalan director Albert Serra’s follow-up to his magisterial The Death of Louis XIV is another forensic documentation of the Sun King’s final breaths. Here, however, Versailles is replaced with the glow of the gallery.

A 101-hour long reflection on the construction of Europe, its cultural identity and its foundations through the complete adaptation of the texts ‘Conversations with Goethe’ by J. P. Eckermann, ‘Hitler’s Table Talks’ and ‘Fassbinder über Fassbinder: Die ungekürzten Interviews’ (a compilation of interviews with the German filmmaker Rainer Werner Fassbinder, which is used as a counterpoint to the first two books). The texts are read, page by page, by non-professional actors.

An American delegation goes to Russia in the midst of the Ukrainian war to try to find a solution to an economic dispute linked to sanctions.

Episodic film, divided into 14 chapters, based on the play De los nombres de Cristo (1586), by Fray Luis de Leon and intended for exhibition "Are You Ready for TV?". Filmed partly in the rooms of MACBA (Museu d'Art Contemporani de Barcelona), is about the difficulty of naming or visually represent abstract concepts.

Jonasz studies insects and fishes, Signe leaves and herbs. After a day spent in gardens and libraries, they meet, take the train and leave the city, pitching their tent on the shores of a lake. As they read, eat fruit, wander the forest and swim in the cold water, the outside world feels further and further away. A stranger appears and a trio is formed. But there are also other trios, other lakes, different places, different times.

A poetic portrait of Lluís Serrat Massanellas, an unprofessional actor and friend of Albert Serra since working with him on Honour of the Knights, and his father, Lluís Serrat Batlle.

Part of the crew of Honor of the Knights travels to La Mancha to see the real settings of Quixote’s life in order to shoot a film.

Short film on the occasion of the 10th anniversary of the Filmoteca de Catalunya using fragments from unused footage of the film Pacifiction.

The film takes place in Ireland – an Ireland where people speak Catalan with a Fassbinder accent – from the 1930 to today, and follows in several parallel directions the sprawling saga of two rival gold mines, the exploitation of artists by Capital, and the simultaneous opening of a brothel where women do not like men. Because he does things his own way, Albert Serra’s most narrative and wordy film was not meant for cinema: produced by the Venice Biennale, it was part of an installation, its chapters shown simultaneously on several screens. Singularity could very well have been called “Velvet Goldmine”, as it sings the meeting of brothels and tunnels, of a golden stud and lustful bodies (both shown as abstractions).

A successful black theatre and opera stage director, a very demanding and determined person, is going through a prolonged and devastating spiritual ordeal, of unknown origin, to which she seems to have become accustomed. She lives in a permanent drunkenness, shocking and implausible but paradoxically controlled and with hardly any excesses. She has a growing fascination for the talent and magnetism of one of the actresses, whose career she wants to dominate, as she considers herself responsible and owner of her triumph.

Eternal life is getting harder for the undead Tina, who subsists on the transfer of energies accessed during the male orgasm. When her partner-in-crime gives in to suicidal ennui, Tina is left alone to protect her species from extinction.

Historical drama in black and white. We follow the life of Beatrice Barbosa de Magallanes in contrast to the voyage of Ferdinand Magellan, her husband. Beatrice fights for her survival and that of her children, while the navigator tries to carry out an impossible maritime expedition. Beatrice will die young, in a world too old for her.

Loving cult film and idiosyncratic musical portrait of summer festivities in the Catalan village of Crespià, with early performances by the well-known faces from the work of Serra.