Two themes arise from the story, themes that are interlocked: the theme of love and of man's eternal submission to traditional symbols. The director Živko Nikolić continues his movie saga of human nature. Both themes develop the mythical idea of temptation. It is basic human relation: from the intimate to the families' vying with each other.
This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.
'Honeymoons' shows us that the distance between Eastern and Western Europe is more than a question of kilometers. The films follows two couples, one is Albania, one in Serbia, who in the midst of wedding celebrations decide to leave their respective countries to realize their dreams in Western Europe. They soon find themselves trapped between their countries' past and their future lives together.
After the end of World War II, a young partisan falls in love with a German secretary who is captured and imprisoned by partisans. He decides to free her and escape with her.
In the suburban environment of 1960s Belgrade, thieves and vagabonds were first who escaped from poverty, while simple individuals who believed in ideals, paid a costly price for their misconceptions. Life is very difficult to a family of a pilot who spent 14 years in prison on the basis of false testimony. Her husband's prosecution is his wife's fate, while his daughter doesn't even know that her father is alive. After many migrations and wanderings, the mother meets a soft-spoken yet unscrupulous man who'll promise her marriage, and rape her daughter. The mother eventually ends up at asylum, and the father returns from prison at the right time to help their daughter in life which crucial lessons she already mastered.
Autumn, 1941. Tito's partisans are ordered to attack a railway network system used by the Germans, their Bulgarian allies and local collaborators. A bloody battle ensues.
Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.
The war is over, and a group of young Partisans returns to their town to continue their interrupted education. They are doing everything in their way, because they are young enough to go to school and to horse around, but mature enough to react to lies and injustice. Loud, ready to fight, they are a problem in school, in youth organization, in town's command. And when they get used to normal life, one of them gets killed by Chetnik renegades' ambush. The comrades wear their uniforms again, take their weapons and succeed in revenging their comrade. When they return to school again, they are determined to pass the maturity test as well...
The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.
The story of poet Aleksa Santic, visionary and romanticist, great loser in private life. The poet was born in strict patriarchal, rich trading family from Mostar, in conservative social environment, in controversial times in the end of XIX and beginning of XX century. As a young man, he falls in love with the Slavonian girl, Anka Tomlinovic, daughter of poor photographer, leaving her under pressure of his family. Later, he meets Zorka Solina, young and rich girl from Mostar who, again because of the interests of her family, leaves the poet. In his mature years, Aleksa Santic engages himself passionately in social and political life of his age. Disappointments, poverty, sickness and loneliness follow. And the certainty of early death. His older brother tells the story of poet's life, while he is dying.
The story of an outsider who spent seven years in prison for robbery. Eternal rebel, unsatisfied with the system and people around him.
