Lagarto Cine

A Peruvian teen lusts after his wild sister while the new wife of their difficult, wealthy father tries to hide her lower-class background.

Taxi driver Jorge begins his night shift bent on revenge after his brother's murder at the hands of a violent gang. But when an accident brings him unexpectedly closer to his party-girl fare Angela, the damaged pair must struggle against forces already set in motion, drawing them inexorably into the rain soaked underworld of Bogota

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

The story being developed features magic, friendship, solidarity and, above all, respect for nature. An important theme in the movie is that the order of the four seasons of the year is fundamental to the functioning and development of life.

Food, glorious food! Some of the most sumptuous and involving films revolve around that most common of acts: eating. 18 MEALS is an omnibus film of criss-crossing stories divided into three segments; breakfast, lunch and dinner. Jorge Coira's debut feature, shot over nine days in Santiago de Compostela has enough tasty portions to please audiences. Amongst Coira's expansive ensemble are aging street musician Edu, a pair awaking from a one-night stand, a businessman visiting his closeted homosexual brother and a lonely housewife, Sol. Victor and Sol are two of 18 MEALS' most fascinating characters as they each hide something - his sexuality, her depression - from those around them. Best of all is Pedro Alsono as Vladimir, a local celebrity actor who makes a meal for a mystery woman who never arrives. Who hasn't gone to a lot of trouble to do something extra special for someone just to have it go unappreciated?

A black office comedy about a head of human resources who threatens to run away with his wife's best friend to escape the insanity around him.

A small town, two families joined together over time. A man who does not forget the values ​​of honor and fraternal friendship. From the director of The Journey to the Sea, history proposes the coalition of two worlds or, perhaps, the same but with different ways of understanding it.

In December of 2002, McDonald's had to shut down their restaurants in Bolivia. The company cited financial problems, but the real reasons were to be found elsewhere. Bolivia may be a small, poor nation on the global market, but a country's fierce local food culture can be sometimes a more powerful factor than economic clout. In his first feature-length documentary, Fernando Martinez shows what happened, a story driven by the characters behind the events and their life stories, such as renowned cooks and a review of popular sayings about the Bolivian food. The symbolism is obvious when a multinational giant is 'brought to its knees' by a country's traditions and heritage.

A single night tells the story of Lucía (Emilia Attias), a 36-year-old woman who has just separated from her partner, and on a failed trip to New York she meets Horacio (Naim Sibara), a man who seems to have lived all his life. in order. These strangers will spend the last night of the year together and during the evening, they will reach an agreement in which both of them must open their hearts with the truth without any lies.

A hot summer in a small town. The lives of many characters intertwine as a Preacher comes to town to give them hope.

Payaguala, a gaucho living in a desolate area of Patagonia, lives alone in a ranch raising sheep and chickens. As the story begins, we watch a small plane arriving at a desolate airport, then a van is seen traveling to an unknown destination. What is going on, one wonders. Well, it appears Payaguala is getting a box, but he does not even open the door of his shack-like house to receive the messenger.

Fran is a famous actress. One night, at a local jet set party, she discovers that her partner and manager, besides abusing her financially, cheats on her. Fran escapes from the city to the desert to travel his own “drought”. In that 72 hours trip and, in solitude, she will have to face the question: Which way do I want to take…?

Two Uruguayan journalists embark on a journey of secrets, simulations, furtive encounters and paranoia when a mysterious informant contact them with the intention to reveal evidence of crimes by the military dictatorship that have never been investigated. The delivery is postponed repeatedly, patience runs out and anxiety grows, but the possibility of obtaining the information is stronger than any suspicion.