Fragmento

Fragmento 1970

1

The effects of emotional neglect on an only child.

1970

El secreto

El secreto 1958

1

Illustrates the dilemma of a sugarcane worker who has a child out of wedlock without his wife’s knowledge.

1958

Brainless John

Brainless John 1959

5.20

A man believes all the advertising he hears.

1959

Pueblito de Santiago

Pueblito de Santiago 1970

1

Adapted from Mexico's "The Forgotten Village". It deals with the fight that develops from the superstitious and ignorant interpretation of a problem and its real, scientific solution.

1970

Splendor

Splendor 1961

7.50

It tells the story of a slave rebellion on a sugar plantation in the days leading up to the official abolition of slavery on the island on March 22, 1873.

1961

La noche de don Manuel

La noche de don Manuel 1963

1

A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.

1963

The Jug

The Jug 1964

1

A cautionary film about what were thought to be rural superstitions and practices in Puerto Rico.

1964

Desde las nubes

Desde las nubes 1949

1

The first documentary produced by the Division of Community Education (DivEdCo) featuring modern and experimental audio techniques with aerial shots of Puerto Rico showing its topography, educationally inserting the island within a world-wide historical context and highlighting its agricultural and social landscape.

1949

Intolerance

Intolerance 1959

1

A melodramatic romance that tells the story of a community that shuns the arrival of a new neighbor.

1959

Modesta

Modesta 1956

5.00

Prize winner, Venice Festival 1956. The DivEdCo’s most important attempt to depict women’s rights in the context of modernization processes in Puerto Rico. Modesta leads a group of women in Barrio Sonadora, Guaynabo, in a strike against their husbands to demand their rights in a domestic context.

1956

La plena

La plena 1966

1

One of the DivEdCo's films that best depicts the history and evolution of another genre of popular music from the coasts and of African origin: the plena. It presents sequences of interpreters of those rhythms in Ponce, in the dances of the coastal areas, and the fusion of popular and refined genres in presentations by Ballets de San Juan of the ballet-plena by Amaury Veray, "Cuando las mujeres" ("When the Women").

1966

Milagro en la montaña

Milagro en la montaña 1961

1

The film recreates the miracle of the birth of Jesus in a Puerto Rican field. It begins with the pilgrimage of Mary and Joseph, the birth of Jesus, and the arrival of the Three Kings.

1961

Los peloteros

Los peloteros 1951

6.00

A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.

1951

Las manos del hombre

Las manos del hombre 1952

8.00

Educational documentary which extols the different forms of labor, and its importance to Puerto Rico’s progress.

1952

El yugo

El yugo 1959

6.00

The exploitation of fisherman in Fajardo, Puerto Rico and how the laborers reached their economic independence through operative alliances.

1959

El puente

El puente 1951

5.00

The efforts of a community to build a bridge which would allow their children to go school during the rainy season.

1951

Nenén of the Moorish Way

Nenén of the Moorish Way 1955

5.50

A young boy becomes intrigued by one of the characters in his village's celebration of its patron saint.

1955

El gallo pelón

El gallo pelón 1961

1

In the community of Vega Alta, Puerto Rico, the main character, played by the esteemed comedian José Miguel Agrelot, buys a washing machine for his wife. However, the town has no electrical power. The movie’s depiction of the jíbaro as naive and comical created a rift among the DivEdCo personnel, especially its community organizers. It was censored by the government and shelved for many years.

1961

The One with White Shanks

The One with White Shanks 1955

1

The blacklisted American documentarian Willard Van Dyke filmed this tale about tobacco workers in the heart of the Puerto Rican countryside. Heeding their wives’ advice, individuals join forces in a cooperative so they can sell their crop of tobacco leaves at fair market value.

1955