Nøgleord Advertising Agency

Kate er en ambitiøs markedsanalytiker for et firma i New York og har ikke meget romantik i sit liv. En dag finder hendes ex-kæreste Stuart en portal til fortiden, og som følge af et eksperiment transporterer han sin tipoldefar fra 1867 frem til nutiden. Grev Leopold er en charmerende ungkarl, og Stuart beder Kate om at tage ham på sightseeing i det 21. århundrede. Imens vil han selv prøve at finde ud af, hvordan han sender sin forfader tilbage. Men Kate og Leopold bliver selvfølgelige hurtigt rigtig gode venner.

Steve Brooks er en forhærdet skørtejæger og mandschauvinist af typen, der aldrig har anstrengt sig for at forstå eller blive elsket af kvinder. Hurtigt ind - hurtigt ud, lyder strategien, og så pyt med at kvinderne både hader og foragter ham bagefter. Faktisk behandler han dem så dårligt, at tre af dem rotter sig sammen og myrder ham. Steve havner naturligvis i helvede, og her vurderer man, at han har brug for en lærestreg. Han bliver sendt tilbage til Jorden som en sexet kvinde, Amanda Brooks (Ellen Barkin), så han kan føle, hvordan det er på egen krop. Derudover får han en mission: Hvis han ikke kan finde en kvinde, som rent faktisk holder af ham, må han regne med at få ristet ædelstenene over sagte ild i al evighed!

I 1988 tvinger et massivt internationalt pres den chilenske militærdiktator Augusto Pinochet til at afholde folkeafstemning om sit formandskab. Oppositionens ledere overtaler en smart ung reklamemand til at stå i spidsen for kampagnen, der skal få det chilenske folk til at stemme NEJ!

Christine er Isabelle's chef på et reklamebureau, og tilsyneladende gør hun sit bedste for at hjælpe sin unge kollega frem. Men Christine's kærlige væsen dækker over iskolde ambitioner. Hun stjæler en af Isabelles kampagner og høster æren for den. Det er en ydmygelse, som Isabelle ikke vil finde sig i, og et dødeligt spil begynder.

Graham Marshall (Michael Caine) har arbejdet hårdt, længe og ser frem til en velfortjent forfremmelse, men det bliver den unge Roger Banham der bliver forfremmet i stedet. Da han ikke får den forfremmelse han har regnet med, planlægger han et "uheld" for hans irriterende kone og gør alt for at sabotere hans nye chefs arbejde. Alt ser ud til at gå lige efter planen, men en manglende lighter og en snagende politimand kan måske ødelægge hans planer.

Kan man finansiere en dokumentarfilm udelukkende med 'product placement' - altså mere eller mindre skjult reklame? Instruktøren Morgan Spurlock sætter sig for at gøre forsøget. Med et kamera i hælene jagter han sponsorer, der er villige til at betale for at få deres varer eksponeret i filmen. Dermed får han et sjældent indblik i de hemmelige marketing-mekanismer, som styrer underholdningsbranchen.

Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.

I Love Betty La Fea is a Philippine drama series that was aired on ABS-CBN, based on the Colombian series Yo soy Betty, La Fea from RCN Television that began airing on September 8, 2008 and ended on April 24, 2009. From October 5, 2009 until May 28, 2010 it was aired in the United States and Canada via The Filipino Channel.

The Crazy Ones is an American situation comedy series created by David E. Kelley that stars Robin Williams and Sarah Michelle Gellar. The single-camera project premiered on CBS on September 26, 2013, as part of the 2013–14 American television season as a Thursday night 9 pm entry. Bill D'Elia, Dean Lorey, Jason Winer, John Montgomery and Mark Teitelbaum serve as executive producers for 20th Century Fox Television.

Kip and Henry, two young studs working for a New York ad agency, must disguise themselves as women to live in the one apartment they can afford.

Funny Face and The Sandy Duncan Show are two American sitcoms aired by CBS starring Sandy Duncan as part of its 1971 and 1972 fall lineups, respectively. Both series were created and produced by Carl Kleinschmitt. In the spring of 1971, after having appeared in numerous television commercials and having a great success on Broadway in the 1970 revival of The Boy Friend, Sandy Duncan's show business career was quickly ascending. She had just completed her first major motion picture - The Million Dollar Duck for Walt Disney and was about to start on her second film - the screen adaptation of the Neil Simon play Star Spangled Girl which was to be produced and released by Paramount Pictures. Duncan was also signed by Paramount to film a television pilot loosely based on the 1957 film musical Funny Face which they hoped would be picked up by CBS to be part of their 1971–1972 fall television schedule. A pilot was filmed in the spring of 1971 and CBS executives were very enthusiastic. As a result, Duncan was already being touted by the network as the brightest new star of the 1971 fall season.

A self-made executive navigates the cutthroat world of advertising, stopping at nothing — no matter how calculating — to become the head of her agency.

On Our Own is an American television series broadcast on CBS as part of their 1977-78 schedule. It featured Lynnie Greene as Maria Bonino and Bess Armstrong as Julia Peters, two employees in the Bedford Advertising Agency in New York who also share an apartment. Toni McBain was their boss, while April Baxter and Phil Goldstein were their coworkers. On Our Own was shot at CBS studios in Manhattan and edited at Unitel. The editor was Frank Herold. The show was filmed on location in New York in front of a live audience, which was somewhat unique for a show of its genre during the late 1970s, as most sitcoms were typically taped in Hollywood. The show aired from 9 October 1977 until 27 August 1978.

The trials and tribulations of finding love and companionship — the second time around. Newly divorced Alex, who is missing his kids and trying to keep himself together. Alex's co-worker Helen thinks she has it together, but she drinks too much in order to cope with her fiance's untimely death. It's no surprise then when these two overworked public relations executives share an ill-fated night of passion and are forced to cope with the awkward aftermath.

The series revolves around Rothman, Greene, and Moore, a fictional advertising firm. The storylines center on the difficulties of securing accounts and the characters' personal lives.

Nothing in Common was a 1987 television series on NBC starred Todd Waring in the role of David Basner and Bill Macy in the role of Max Basner. Seven episodes were broadcast immediately after the highly-rated series Cheers but didn't pick enough audiences. The short-lived series was cancelled because of low turnout. The series was inspired by the 1986 film by Garry Marshall starring Tom Hanks and Jackie Gleason also entitled Nothing in Common in which Hanks played David Basner and Gleason protrayed Max Basner. Todd Waring later reprised another Tom Hanks role in a TV sequel to Splash for The Wonderful World of Disney called Splash, Too.

The Closer was an American television situation comedy that aired on CBS for 10 episodes in 1998. The show starred Tom Selleck as a successful advertising agency executive.

Foot in the Door is a short-lived comedy that aired on CBS in 1983. The series stars Kip Gilman as Jim Foot, a man working at an ad agency in New York, Diana Canova as his wife Harriet and Harold Gould as his recently widowed father Jonah who decides to move in with them.

First Impressions is a sitcom that aired on CBS from August 27, 1988 to October 1, 1988. It stars Brad Garrett as Frank Dutton, the owner of an advertising agency in Omaha, Nebraska and a divorced father starting to date again.

Good Company is an American television sitcom that aired on CBS on Monday nights from March 3, 1996, to April 15, 1996. The series is set at the offices of Blanton, Booker & Hayden Agency, a Manhattan ad agency.

Follow the evolution of advertising from the 1950s through the 1980s, via interviews with the industry's top ad executives, and through classic ads and commercials.