Film School of the Aristotle University of Thessaloniki

Maria and Nikos, a married couple coping with alienation, are spending the weekend at a hotel nestled in nature, by the river Acheron. During their stay, they will try to find new balance in their relationship.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Three friends get together after a long time and speak of their recent mishaps. Each of their stories ends with a problem and each problem can be resolved only with money, which they don’t have. Moving between reality and fantasy, they decide to rob a cafe they suspect is a façade for money laundering.

Peter is an eight year old boy who lives in a cheap hotel room. When his mother oddly disappears, a transsexual woman comes to take care of him, against her own will. Sooner or later Peter will find out that this is the woman with the 'plumed snake', the woman that will pull him to outside world, where anything is likely to occur.

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

The documentary Creative Producer: The Unsung Hero of Greek Cinema explores the role of the producer in the creative process of Greek cinema, highlighting the complexity and unseen creative role that distinguishes this special profession.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

After his bossy stepfather decides to take him on a business trip, 16-year-old Michalis spends his last day in the city hanging out with his friends. It will be a day full of illegalities, music and bold risks.

In a deserted place, the pumps work hard to prevent the flood disaster. When a group of refuges comes to the village, locals are disrupted and things inevitably change.

A person, in the case of "Iphigenia" a girl, sacrifices part or even her whole ego to become a member of a new social ensemble and specifically of the social ensemble of her future husband. The film is inspired by the theater of the absurd and mainly by theatrical texts by Ionesco and Pinter but also by the original myth of Iphigenia which symbolizes sacrifice.

A 10-year-old girl returns angry after a bazaar with her friends. On the way home, she finds an injured cat. While trying to take care of it, she has to confront her troubled relationship with her mother and her sister.

The story concerns Menelaus, who, fifteen years after the brutal murder of his parents, decides to take revenge, breaking into the abuser's house and violating his sanctuary.

Two homeless people, one blind and the other disabled travel the city streets with a supermarket trolley on an endless journey.

Yawth is a story about the social media generation. On a typical Friday night Vicky wants to reach the party her crush is going to, but the night does not go as planned.

Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

Two lovers try to die together in order to live forever. When they die at the same time, neither of them will experience the loss of the other person. This is the only time in their lives when they will never experience the inevitable loss of their lover, either by natural death or separation.

A trip to the creating of the theatrical costume, starting from the first idea in the costume designer's mind, until the final construction by the dressmaker's hand. The film follows the set up of the exhibition "Traces of ephemeral", coordinated by Ioulia Stavridou for the National Theater of Northern Greece. By her students to her memory.

In a skate park teenage Charis tries desperately to convince his best friend to go talk to his crush, the hottest skater of the park. But Charis crosses the line and puts their friendship at risk.

Pavlos and Leon are two inseparable friends who dream of opening one bar once the war is over. The SS, searching the house, arrest his parents Pavlos not being able to find Leon. The two friends embark on a journey through the forests to reach Thessaloniki. Away from civilization, Paul struggles with his dark side which is slowly awakening.