City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
After fulfilling a congressman's fetish for being zipped into a suitcase, two male scorts plot to rob his house and run through the streets of Rio.
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
Two men roam the night of Rio de Janeiro with two prostitutes in search of pleasure and violence.
Documentary that presents an overview of the production of cartoons and comics in Brazil.
A couple lives isolated in a country house at th top of a hill, full of natural beauties. Their routine is changed when an unsual group of mannequins seems to gain life, and start to watch over them.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
The son of a filmmaker from the 1960s and 1970s searches for his father's latest unreleased work. In this search, he retells the history of pornochanchada and presents a look at cinema and Brazil.
The lives of eight people, of different ethnicities, creeds, professions and social groups, living in the cities of Rio de Janeiro, São Gonçalo and Nova Iguaçu during the first 9 months of the pandemic.
Mateus is a video store clerk that deals with several weird clients everyday while he dreams to be a filmmaker like Tarantino.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
In 1970, Brazil was in the throes of a military dictatorship that lasted 20 years. Persecutions, arrests, killings, kidnappings. The film Seventy rejoins 18 characters of this story, forty years later. The film mixes the excitement of revisiting the past with a vision, sometimes even good humored of everything they lived. Many years afterwards they relive their experience of pain, violence and survival, of rebuilding their own story and continuing to believe in the possibility of improving the world.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
On New Year's Eve, six friends reunite to celebrate the new year. As the night progresses, the revelry soon gives in to long-seated conflicts as well as joys and hopes for a better future.
On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.
It is a realistic musical documentary, mixing the old and the new, exchanging chronological positions, creating a suggestive carousel for the audience. A tribute to Sérgio Ricardo's cinematographic work narrated through the assembly of scenes and tracks taken from the 7 films he directed. In this anthology, the most recurrent theme in the author's work is portrayed: the struggle of the oppressed worker who finds love, music and the community his escape valve.
Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.
Inez Cabral portrays her father, João Cabral de Melo Neto, in the year of the centenary of the birth of the "poet of precision", renovator of Brazilian poetic language.
