Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this remale of Claude Lelouch's "C'était un rendez-vous" captures the emotions in a state of emergency caused by the war.
A young astrophysicist in a war-torn country watches the stars and black holes, holding a dialogue with her unborn daughter about the nature of light and darkness.
A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.
This a playful film bringing us back to childhood, where everything started. It portraits seven girls who have grown up and who now "rock". They won't be talking about success, but they are the ones who know the rules of the game, and who also know how to violate them correctly. The film is a collective portrait of seven outstanding women in modern Ukrainian culture: writer Sofia Adrukhovych, cultural journalist Vira Baldyniuk, conductor Oksana Lyniv, artist Alina Kleytman, theatre director Tamara Trunova, cultural manager Yulia Fediv and film director Iryna Tsilyk.
The municipal district heating company from Ivano-Frankivsk has a cultural offer for its employees. To break away from their daily routine, run-down infrastructure and troublesome clients, they may come to sing in the company choir once a week. The folk and patriotic songs they practice at rehearsals become a bridge between the past communist era and the new political and economic reality. They help them to deal with the shock of transformation and simply spend some time together, just like in the good old times.
