Tisch School of the Arts (NYU)

An unyielding attachment to the partner he lost in the AIDS crisis of 1980s New York propels a lonely gay man to connect with his estranged family.

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.

A writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible.

Old memories and ghosts from the past resurface when a man reluctantly agrees to help his now-alcoholic childhood friend sober up over the course of a weekend.

Pedro, an outsider trapped in a passionless marriage, secretly escapes through music. When he meets Kira, another outsider who shares his yearning for true intimacy, they begin a risky conversational affair.

This visually ravishing and thought-provoking work portrays one of the USA’s great shames—the 1955 murder of 14-year-old Emmett Till by two white men in Mississippi—and movingly reminds us of this dark episode’s enduring relevance.

At a shiva with her parents, a college student runs into her sugar daddy.

A down-on-his-luck photographer determined to capture visual magic and fame. He concocts an intricate plot to blow up the Statue of Liberty and sets his camera to record the exact moment of its destruction.

Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?

Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his "friend" Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it's obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife.

A talkative man finds Mr. Right in the men's room.

A modern day short noir film about suspicion, centered entirely on two characters – an older woman and a younger man. Sylvia tries to get Jim to kill someone off for her, but he fails – and now he thinks he’s being followed.

The movie focuses on creating an experimental visual storytelling and questions: 'What makes us who we are."

A young man's livelihood is put to the test when he gets profiled and stopped by the police on his way home from practice.

In Belleau Wood, France, during the Great War, a soldier named John writes a letter home to his wife Sara in Milwaukee. He writes that her picture "helps me remember what it was like to be me." He tells her about sorties into No Man's Land, and that they have orders tonight to charge. Then, his letter becomes a report of that charge: toward an armed German soldier who doesn't fire, even when John reaches him and jumps into the trench beside him. What happens next brings silence and an end to the letter.

Rural Appalachia explored through the eyes of two young brothers.

Ten aliens in human host bodies learn how to be men.

It’s just another ordinary day in 1930s Los Angeles for private investigator Clyde Umney, until a new client walks into his office. Umney soon learns that his client is the crime-fiction writer who not only created him, but now needs to switch places with him.

One of the early short films of director Brett Ratner.

This animated twist on Halloween memories involves the traumatic theft of a candy bag on Halloween night.