City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.
On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Greg (Jorge Caetano) is a screenwriter hired to write a script about Maria Guaranis, a radical-style artist who has gone missing. As the author produces the script, he ends up identifying with Maria and getting lost in the creation process.
From a lifetime, a single memory has survived. Only one.
Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.
During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
The memories of the trip made by the couple of artists Cavi Borges and Patrícia Niedermeier are transformed into an essay film. The scenery consists of landscapes located in Brazil, the United States, Germany, Syria, France and Hungary, where a series of choreographies and other performances created by the two are recorded.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Poetic reconstruction of the unfinished film, directed by writer Lúcio Cardoso, from Minas Gerais, in 1949, in the fishing village of Itaipu / Niterói, based on recovered scenes and excerpts from the film diary. The documentary shows the process of a writer struggling with the desire to make a film.
