Azerbaijanfilm

“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

This story of two temperamentally different brothers takes place in the Azerbaijani capital of Baku during the 1970s. The elder brother Jalil is a married postal worker who keeps bees as a hobby. Younger brother Simurg is more adventurous by nature and capable of going after his goals, not just dreaming about them. Jalil has a recurring memory: once, when he was still a kid, his mother, pregnant with Simurg, took him to a women’s sauna. When both brothers fall in love for the same beautiful girl, their differences become apparent once again.

The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.

A young man tells the dream he had about running away with the daughter of chief of police to his grandma. People spread and exaggerate rumors as if it was a real story until it reaches to the chief himself.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

"At some point," Rafael tells Arzu, "people walk together ... and then their ways part ... each destined to follow the labyrinth of their own inner city ..." Arzu, a young girl growing up in contemporary Azerbaijan, falls in love with Rafael, her piano teacher's son, a veteran of the Karabakh War. Twice her age and unable to escape from the ravages of war, Rafael is forced to live on the edge of a society that sees him as a 'cripple.' Arzu, desperate to escape from the same repressive society which confines women to a strict, narrow path, chooses Rafael over her family and friends - but threatened by Arzu's mother, and guided by the wisdom born out of his own brokenness, Rafael makes the supreme sacrifice of love ...

The film tells the story of a provincial teacher from blue blood, Abbas. The desperate desire of having his own son makes him so indifferent to orphan in his custody and even to deadlock situation of his beloved spouse Vafa. But everything changes, when he himself causes Vafa's death. Now in the otherworld Abbas is craving to have back all the things that he couldn't protect in this world.

The film is about a young woman nursing her father, when things don't go to plan.

The film based on Agil Abbas's novel about Nagorno-Karabakh War. The film tells about the heroism of the sons of Azerbaijan, who fought for the Motherland to the last drop of blood in spite of everything in the Karabakh war.

"Buta" is the story of a lonely 7-year old boy (named Buta), who lives in a mountain village with his grandmother. He is befriended by an old man, a liquid soap merchant who once loved (and lost) Buta's grandmother. The old man's friendship and wise advice helps Buta to overcome his difficulties in life. Buta's grandmother, in the meantime, is weaving a special carpet in memory of Buta's mother. The carpet features a special pattern (also called "Buta"), which represents love. The boy is inspired by his grandmother's work, and decides to make his own "buta" made of rocks and stones, high on the top of the mountain...

The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.

The film tells the love story of two young people - Azerbaijani Ghafar and Georgian girl Leyla - who lost their lands, loved ones and homes in the war. Ghafar is mistakenly taken to Georgia together with the kiosk. When he wants to buy back his kiosk, he meets Leyla, a Georgian girl who is homeless like him. The film is dedicated to all people who lost their homes in wars. The film was shot in Azerbaijan and Georgia.

After World War II, a group of young “robbers” redistributes the wealth of the rich to the poor while protecting the honor of women, especially the wives and sisters of soldiers at the front. Though branded outlaws by the law, their criminal yet benevolent deeds win the tacit approval of the local community.

Local healer embarks on the path of revenge against the Russian Bolsheviks who captured his native village, establishing their own rules there.

The movie reflects the ecological environment of Sumgayit. After the collapse of the Soviet power, the old problems of the "new era" still persist. Although it is not mentioned in the movie, the new generation of people living in this city, which is named as Sumgayit, especially near poisonous plants, are born crippled and sick. There is a wide range of symbolic expressions in the film and there are interesting dream scenes.

The movie is about the mixed relationships between a failed artist and his girlfriend. Returning home after a long period of imprisonment, the father tries to improve his son's life in the most radical ways.

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.

Sequel to Fəryad (1993). The film tells the story of Azerbaijani victory in the 44-day Patriotic War for the lands of Karabakh, which the Armenian invaders had occupied for nearly 30 years.