On a sprawling urban suburbia during a sweltering summer, two young boys in love are at an impasse. Youssou has an opportunity to study abroad with a prestigious scholarship, while his boyfriend Malek advances in his art degree at a local school. As the pair wrestle with these destinies that are pulling them apart, their friends attempt to untangle the ambitions of these star-crossed lovers, all while tensions rise with the police who patrol the neighbourhood.
Henrique lives alone in the mountains in Portugal. Having his children been taken away by the social services, one day he searches for the psychologist in charge of the process to get some sort of vengeance. From then on, he hides in the forest for several days, trying nothing but to survive.
The apparition of a bloodstain reaffirms the relentless cycle of life, filmed in all its fragility and complexity.
Domingos and Neusia are a young couple from a small city in Mozambique. She goes to school, he has an underpaid job at a car wash. Yearning for a better life, Domingos sets on a journey through Mozambique, heading to the gold mines in the north of the country. In the meantime, Neusia waits at home.
Over the course of 10 months, a camera travels to Buenos Aires, Argentina and Hanover, Germany to meet with Magalí, María Belén, Ivana and Carla, the founding members of the Archivo De La Memoria Trans Argentina, the first existing Trans Archive in the world. Taking the shape of a photo-novel, the documentary not only recounts the founding members lives as trans women under the Argentine dictatorship (1976-1983), the AIDS epidemy, state repression and mass assassinations but also years of fighting for their rights, sorority and the exaltation of life and laughter in times of death. Filming each one of them is filming them embracing their new role as curators, archivists and historians while a collection of 7,000 photos goes through the filter of their memories.
In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.
Thirty-year-old Émilie, as spontaneous as she is clumsy, screws up all her job interviews one after the other. Under pressure, harassed by the owner of her rental apartment, she puts a lot of hope in a new interview which she has managed to secure for this afternoon. But in a near future, where social demands are no longer exactly the same, nothing happens as planned.
An 8 years-old boy finds a dead man's body at a top of a mountain. As he knocks on the doors of the village, trying to solve the mystery, a portrait of a village is revealed - a place in transition between the traditions of the past and the violence of contemporary reality.
After a long time trapped in the glaciers of Patagonia, the ghost of cameraman Lucien Le Saint breaks free. He follows the same navigation route he took a century ago, observing the new inhabitants of the places where he filmed the Fuegian people.
“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.
