Les Films Marceau-Cocinor

A young widow flees from Rome during WWII and takes her lonely twelve-year-old-daughter to her rural hometown but the horrors of war soon catch up with them.

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-to-gather. They discuss about their past, present and future.

In Rome, Toby Dammit, a drunken ex-actor, becomes trapped in hellish landscapes like airports, television studios, and mannequin-filled streets, encountering the Devil in the form of a little girl.

In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He becames friends with the colonel and the local doctor (Trintignant). Among the inhabitants of the house, there is a strange young woman - Fosca (d'Obici) who is both unattractive and mad. However, she has a passion that Giorgio will have to cope with.

Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

An erotic comedy about the many affairs of a young man with different women.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

Two total strangers suspect each other of murdering their own wives. Based on Patricia Highsmith's 1954 novel The Blunderer.

Purif is distraught when her lover is betrothed to another. When she summons the old ways to curse him, her erratic behavior is interpreted as demonic possession, and the villagers turn against her with physical and sexual violence.

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

Sandro is a Roman adrift in Venice during Carnival. As he enters midlife, he argues with his wife of sixteen years more often than they laugh or make love. She's had enough of his moods, so they separate so he can sort out his mind. His first night away, he sees a photograph of a nude; the image resembles his wife. He searches for the model, whose name is Riri. He finds her, and she looks exactly like his wife, except that Riri is a gaily attired prostitute and Laura is a self-contained antiquarian bookseller. Are they two women, are they one, and in the masquerade of Carnival, what is real?

In Barcelona, secret agent Antoine Donadieu thwarts the plans of a Nazi scientist.

Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships.

Carmen, wife of a certain Vincenzo detained for theft, chooses Antonio as a friend. When the husband is released from prison, he accepts the relationship in progress and continues to use the woman in his shady businesses.

A young impoverished aristocrat and struggling writer falls for the charms of an aspiring starlet, whose amoral nature and hungry curiosity drives her from one adventure to another.

Olivier and Françoise, newlyweds, have Chantal at their service, whose main function is to pretend to be his boss, while she takes care of the housework. But Olivier is suddenly tempted by an extramarital affair with a young Italian woman, Frédérique. Pretending a business trip, he sends his wife and maid to their respective mothers, intending to bring Frédérique to his home...

An American polo player in Paris gets roped into intrigue when he's asked to find a family friend whom has gone missing.

The film in its first part intends to show the alienation of modern man by advertising, then talks to us about the image of women in advertising, society, entertainment, fashion, dreams, fantasies. Its last part is composed of saucy fake scopitones .

Wishing to find an old love that resurfaced, Juan, a Chilean diplomat, Dominique asks his friend François to act as an intermediary.