Keyword Cattle Ranch

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

A cattle baron takes in an orphaned boy and raises him, causing his own son to resent the boy. As they get older the resentment festers into hatred, and eventually the real son frames his stepbrother for fathering an illegitimate child that is actually his, seeing it as an opportunity to get his half-brother out of the way so he can have his father's empire all to himself.

Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.

Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.

Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

This George O'Brien western is based on a novel by Max Brand, previously filmed as the 1920 Tom Mix vehicle The Untamed. Cast as devil-may-car Whistlin' Dan Barry, our hero rides into a passel of trouble in a wide-open town. Warned to leave the premises or else, Whistlin' Dan refuses to do so, sticking around long enough to whomp villain Jim Silent (Mitchell Lewis) and romance heroine Kate Cumberland (Louise Huntington).

An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.

A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.

Call him a city slicker. Call him a tenderfoot. But don't call him a member of the family--yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie's lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don't make a cowboy, and it's going to take more than mere posturing to charm Mr. Ryder... in fact, it just might take a miracle.

Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he's been looking for...

Brash businessman Hideki (Arata Iura) convinces his Tokyo bosses he can turn a profitless Montana cattle ranch into a premiere-performing asset. However, when his Japanese Wagyu-beef expert fails him, Hideki is poised to fail unless he identifies a missing element that's key to the transformation: himself.

Delilah Potts has always had her choice of men to work her ranch and fill her bed. But from the moment Clay Hewitt, a handsome drifter with a mysterious past, arrives at her door, Delilah knows that her life will never be the same. And when he spurns her affections, she unleashes a torrent of forbidden passions and deadly secrets that will prove to Clay that the only thing darker and more dangerous than the past he's escaping... is the one he's about to discover.

On America's frontier, a St. Louis woman marries a New Mexico cattleman who is seen as a tyrant by the locals.

A frontier widow aims to raise sheep despite a cattle rancher in old Wyoming.

Sierra Nevada Jones must fight a villainous rancher to regain the land that is rightfully hers.

Raton Pass is a curious western based on the rules of Community Property. Dennis Morgan and Patricia Neal portray a recently married husband and wife, each of whom owns half of a huge cattle ranch. Neal is a tad more ambitious than her husband, and with the help of a little legal chicanery she tries to obtain Morgan's half of the spread. He balks, so she hires a few gunslingers to press the issue. In a 1951 western, the greedy party usually came to a sorry end; Raton Pass adheres strictly to tradition.

An Easterner Inherits a cattle ranch, only to discover that thousands of cattle have been stolen. He secretly signs on as a hired hand at his own ranch to discover who's stealing them.

Jim Waters arrives at Ed Parks' ranch to find Parks' cattle herd mysteriously increased. Hamp Harvey has been losing cattle and he suspects Parks. But the culprit is Harvey's foreman Brent who gets his orders from the town's leading citizen Sig Barstell. Barstell wants Harvey's ranch and after trying to frame Harvey by killing Parks, Waters takes over and goes after both the killer and the rustlers.

As foreman of a dude ranch, Gene has two problems. One is a guest, the spoiled daughter of a millioniare, and the other is the disgruntled ex-foreman that Gene replaced, now just a ranch hand. Gene eventually gets the daughter straightened out but has to fire the ex-foreman and this leads to trouble when he returns intent on revenge.

The swinging Andrews Sisters provide the musical interludes and romance in this western. They play a trio of WW II era ranchers. That they are so good at running it proves terrible surprise for a ranch hand who has just returned home after serving in the Navy.

Follow the violent world of the Dutton family, who controls the largest contiguous ranch in the United States. Led by their patriarch John Dutton, the family defends their property against constant attack by land developers, an Indian reservation, and America’s first National Park.

Follow a new generation of the Dutton family during the early twentieth century when pandemics, historic drought, the end of Prohibition and the Great Depression all plague the mountain west, and the Duttons who call it home.

When the world's largest cattle station is left without a clear heir, rival factions descend as a fierce generational struggle upends the land's future.

The high-stakes ranching and farming world of McBee Farm & Cattle is on the brink of becoming either a billion-dollar business or a financial disaster.

Nothing Too Good for a Cowboy was a CBC Television television show based upon the adventures of author and rancher Richmond P. Hobson, Jr. in Northern British Columbia. It is based upon the eponymous book and also The Rancher Takes a Wife.