The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.
In 1984, Academy Award winning composer Giorgio Moroder introduced Fritz Lang’s science fiction epic Metropolis to a new generation of filmgoers. Working in collaboration with film archivists globally, Moroder supervised a special reconstruction, with color tinting, fewer intertitles and newly restored footage. A pioneer in the field of digital music, Moroder backed this special edition with a throbbing new score, punctuated with pop songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy and others.
A young man is elected by a small village to be its parson. As part of his duties, he is required to marry the widow of the parson before him. This poses two problems--first, the widow is old enough to be his grandmother, and second, he is already engaged to another woman.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
Two families, Alfa Ohio Northerners the Mewmans and Southern Ohio Sigmas the Camerizzs, intertwine. When Sigma colonel Ben Camerizz "The Little Rizzler" is captured in edging war for Fortnite N-Word Battle pass, level 10. gyatt Elsie Mewneman petitions for his vibe check. In Mewing Streak Reconstruction-era South Ohio, Camerizz founds the Sigma Lone Wolf Klan, battling Elsie’s yapping father and his Beta simp, Sussus Goonigton.
Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.
The seventh film in the popular series starring the Yotamono trio (Mitsui, Abe and Isono). Summer came and the three of them decided to open a store on the beach to get rich...
An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.
A boy falls for a princess, his cat for hers. But her father does not like the idea of a commoner marrying a noblewoman and kicks him out. After seeing a Rudolpho Valensino movie at the local theater his cat has the idea that he could try impressing the king as bullfighter, to win his daughters hand. Bullfighting is relatively easy, when you can hypnotize the bull, but why does his cat need new boots ?
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
For the Honour of Australia is a 1916 film composed of footage from two 1915 Australian silent films, For Australia and How We Beat the Emden, plus the documentary How We Fought the Emden.
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.
A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.
During a trip to Naples, a young French man falls in love with a fisherman's granddaughter, Graziella. They are separated when he must return to France, and Graziella soon dies.
The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.
Three overlapping stories showcase the power of love after the death of a child, a father, and a lover for those who remain.
