After 16-year-old Alice Palmer drowns at a local dam, her family experiences a series of strange, inexplicable events centered in and around their home. Unsettled, the Palmers seek the help of a psychic and parapsychologist, who discovers that Alice led a secret, double life. At Lake Mungo, Alice's secret past emerges.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."
A docudrama depicting a hypothetical nuclear attack on Britain. After backing the film's development, the BBC refused to air it, publicly stating "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting." It debuted in theaters in 1966 and went on to great acclaim, but remained unseen on British television until 1985.
Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.
Iranian musicians Negar and Ashkan look for band members to play at a London concert ... and the visa that allows them to leave Tehran to do so.
A documentation of artist JP Meldrum as he prepares for an experimental gig with noise-rock drummer Maxwell Paterson. A concert film, a rehearsal, and an exploration of Victoria outlets and ways-of-creating beyond the traditional spaces.
The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".
The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.
Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
A psycho-geographic journey through London and its history, as undertaken by an unseen narrator and his companion, Robinson, at the time of the 1992 general election.
From the armistice of 1918, which marked the end of the First World War, to the declaration of war in September 1939, the beginning of the Second World War: an era during which there was an aspiration to create a new world, prosperous and at peace, but which provoked a new tragedy, seen through the destinies of thirteen people who were both actors and witnesses of the upheavals of the so-called inter-war period.
Scientists and sci-fi writers explore a hypothetical first-contact event between aliens and humans.
