Fine Arts Film Company

The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.

A 1917 film directed by Edward Dillon.

Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."

After the death of her father, Betty Lockwood goes to Graystone Gables, the estate where he had been the caretaker, to spend some time alone there. She meets David Chandler, Graystone's owner, who is attracted to her and tells her to come back whenever she wants to. Betty's mother soon remarries, but her new stepfather is not the same kind of man that her father was

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

Steve O'Dare, a young New Yorker who has gone off to Wyoming to be a cowboy, returns to New York to sell some cattle. He bores his friends with tales of the exciting Western life, so they plot to trick him with a mock abduction. But although Steve falls for the gag, he ends up turning the tables on his friends.

Based on Henrik Ibsen's play from 1877.

Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.

A 1916 film directed by Lloyd Ingraham.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.

A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.

A 1917 film directed by Paul Powell.

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.

Renee is a French artist's model who uses morphine as an escape from the dull reality of her life. She recommends it to a neurotic artist because "it kindles the fires of genius." The artist quickly becomes addicted to the drug and the quality of his work begins to disintegrate. He takes on a new model, marries her, and starts her on the same path of moral degradation, until a guilt-ridden Renee decides to intervene in order to save them both. According to silent film historian Kevin Brownlow, THE DEVIL'S NEEDLE was banned by the state of Ohio, but the censor board reversed its decision after recognizing the positive message beneath the film's scandalous surface. This special edition was mastered from a 35mm preservation print of the 1923 re-release version. The only known surviving copy, the element suffers significant nitrate decomposition during some scenes.

A young man fights to overcome a piratical arms smuggler and to win the heart of a rich man's daughter.

An attractive young girl struggles to hold a job as she deals with unwanted romantic advances from her boss.

In the future (1921), an alliance of several foreign countries plot to attack the US. American officials, coming to the realisation that the country is basically defenceless, offer $1,000,000 to anyone who can come up with a weapon to defeat the invaders. Winthrop Clavering, a writer and inventor, hears of the reward and tells his friend Bartholomew Thompson, a scientist and inventor who has been working on developing flying torpedo. However, enemy agents have also heard about Thompson's project, and set out to kill him and steal his plans. This film is now considered lost.

What will become of the Children in a home divided....

A 1917 film directed by Arthur Rosson.