Blok M

Blok M 1990

1

The film tells the story of Lola and Cindy. Lola is a lonely child who, along with her gang members, always gathers and walks on the streets of Blok M, where the youths are. Meanwhile Cindy is forced to become a prostitute to meet the needs of her family. Lola awares of Cindy situation and befriends her.

1990

Jungle Virgin Force

Jungle Virgin Force 1982

5.00

Abused women rush off into the jungle to oppose their oppressors.

1982

Kesempatan Dalam Kesempitan

Kesempatan Dalam Kesempitan 1985

6.50

Dono works in a cigarette agency. Kasino works in a car workshop. They recommend Indro to work in Tina and Santi’s boarding house. Comedy happens when Indro’s girlfriend and her father pay a visit. Indro has to arrange Tina and Santi’s living space, so that he won’t be suspected of anything. More comedy arises when Santi’s fanatical mother also visits. Then Kasino drives Dono’s girlfriend and the car crashes. The car manages to be sold but then the buyer demands his money back. Dono has to hold a boxing match with the buyer.

1985

Jakarta

Jakarta 1988

5.20

A CIA agent roams the streets of New York haunted by the death of the beautiful woman he fell in love with while on assignment in Jakarta. When he is kidnapped and drugged, the destination is Jakarta once again where he tries to unravel the mystery that is the city which broke him three years earlier.

1988

Fire of Vengeance

Fire of Vengeance 1982

5.70

A gang of assassins murder Wendy’s husband, Johan, during their honeymoon. Handoko, the gang leader orders his girlfriend, Hany, who is actually Windy’s friend, to capture her. Later, we see Windy becoming a disciple of Harun the cleric, who is also her father’s teacher. After the tutelage, Windy returns to find her husband’s murderer. She disguises as a taxi driver and helps the police arrest many criminals. Hany, who is actually a police undercover in Handoko’s gang, shows up once again. Both infiltrate Handoko’s headquarters but are captured. When they finally escape, they release Handoko’s prisoners.

1982

Maju Kena Mundur Kena

Maju Kena Mundur Kena 1983

7.00

Kasino forbids Dono and Indro, his room mates and also his subordinates at the garage where they work, to fall for women. But secretly, Kasino admires a girl, whose picture he sees for the first time in a magazine. When Dono takes a night shift, he has to repair Marina's broken car. The event upsets Kasino since the bill remains unpaid. Unexpectedly, Marina moves into the dormitory where Dono and friends live. Kasino is shocked, for Marina is the woman he admires all this time. Kasino always chats with Marina, but the lucky guy is Dono. Marina, who is visited by her grandparents for marriage with another man, admits to them that she is already married to Dono. Some comedy elements are included such as Indro, who pretends to have a twin, and Dono, who participates in a women’s football match.

1983

Pokoknya beres

Pokoknya beres 1983

9.00

Dono, who's good at cooking, applies to many restaurants for work but is always rejected. Meanwhile, Indro and Kasino are only concerned with chasing girls in funny ways, and they always fail. Then Anita, upon the arrival of her father, suddenly disappears without leaving a note to her friends. Kasino looks for her, but he is instead arrested by a woman officer he previously seduced. The police arrest Indro after he breaks a public telephone. The film’s comedy stems from misunderstanding and odd situations. The other formula is sex via Eva Arnaz and Lydia Kandou who always wear mini short pants and tight t-shirts.

1983

Jangan Bilang Siapa-siapa

Jangan Bilang Siapa-siapa 1990

1

Newlyweds Merry (Lydia Kandou) and Andi (Ray Sahetapy) have to say goodbye to Anita’s parents who are going abroad for a holiday. Aunt and Uncle (Zainal Abidin, Ida Kusumah) have been asked to watch over them. While Merry and Andi are at the airport to see the parents off, a sweet looking girl comes up and kisses Andi and gives him a message for another young woman. Confusion ensues. Merry becomes suspicious. In the midst of this atmosphere of suspicion, Andi has to take part in an office meeting in Puncak. Even worse, after the meeting, Andi’s boss invites him to a party and after that Andi has to go to Bandung on business. Andi calls Merry, who has taken Andi’s joking around with his servant Kadir about women seriously, to inform her of these plans, and she tells him that she wants to separate from him.

1990

Koboi Sutra Ungu

Koboi Sutra Ungu 1981

1

Olan Delong is a cowboy figure with a purple scarf. He is dating Denok, daughter of a rancher, who already has a boyfriend. So Olan Delong has to fight for Denok and also deal with a riot in the city started by Al Jiung’s criminal gang. Then Olan Delong faces a bogus Al Jiung who appears in the city, although in the end, he has to have a deadly duel with the real Al Jiung.

1981

Special Silencers

Special Silencers 1982

5.80

Special Silencers are large red pills, obtained from a forest dwelling mystic, which aid in meditation. However, if used by the untrained they cause a huge tree to grow in the stomach, and burst its way through the skin.

1982

The Stabilizer

The Stabilizer 1986

5.10

Peter Goldson, aka The Stabilizer, searches for drug smuggler Greg Rainmaker. Rainmaker killed Goldson's fiancee by kicking her with his spiked shoes, and now Goldson wants revenge. Meanwhile, Rainmaker has kidnapped the famous Professor Protost, and the Stabilizer teams up with his daughter Christina to save the Professor and bring Rainmaker down for good.

1986

War Victims

War Victims 1983

1

A women in prison movie set in a Japanese POW camp during World War 2.

1983

Dongkrak Antik

Dongkrak Antik 1982

6.00

This time, the comedy trio of Warkop DKI is joined by another comedian, Mat Solar. Each have their own quirkiness: Kasino the grumpy, Dono the senile, Indro the stutterer, and Mat Solar, deaf in one ear. They work in a hotel run by Paulus. Their quirkiness is the source of humour and misunderstandings, an old tried-and-tested recipe that is still used to attract movie-goers. The highlight is the hotel’s new year event. They appear as performers and call themselves, Wow, It’s Huge. They sing covers of The Beatles, Rolling Stones, and some folk songs. In the end, the show is still a mess.

1982

The Earth is Round

The Earth is Round 1983

1

Simson, a young entrepreneur from Surabaya suspects his girlfriend, Hedy, of having an affair in Jakarta. To compensate for his sadness, Simson goes to Jakarta. Shortly after arriving at the airport in Kemayoran, he immediately books a room in a brothel, to request a special service for a week with beautiful girls, before he deciding to kill himself.

1983

Ferocious Female Freedom Fighters

Ferocious Female Freedom Fighters 1982

4.40

Spoof based (loosely) on an old Indonesian film, which has had the old foreign soundtrack removed and replaced by an over-dubbed English track. Central character is a female wrestler who has decided that she no longer wants to wrestle, but whose mother (a former wrestler herself) wants her to keep wrestling to make money so her brother can have the operation (his seminal vessels run to his skull, rather than his groin, which purportedly will cause his head to explode if he gets too excited). During the course of her story (in which a number of brawls ensue), she is befriended by a Elvis-impersonating martial artist. This recut/redubbed version is 72 minutes long.

1982

Giliran Saya Mana

Giliran Saya Mana 1989

1

Dewi and Dewo decide to elope, as Dewi’s parents only want her to marry a rich man. Listening to the advice of their servant, Doyok, Dewi writes a letter to her parents that she and her husband have become rich. When her parents want to visit, Dewi and Dewo panic. So, Kadir, a housekeeper in an empty luxurious house, helps them. He agrees to lend them the house for two days before the new occupant arrives. Then Kadir acts as the husband while Dewo plays the housekeeper and Doyok the security guard. Their act is revealed when the new renter arrives but is barred from entering. Meanwhile, Dewi’s father finds the certificate of the house ownership.

1989

Antri Dong

Antri Dong 1990

1

The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.

1990

Kanan Kiri OK III

Kanan Kiri OK III 1990

1

The couple, Rio (Ray Sahetapy) and Anita (Ida Iasha), lives next door to their close friends Goro (Zainal Abidin) and Tati (Dien Novita). Both couples have a male relative living with them; Doyok (Doyok Sudarmadji) stays with Rio and Anita, and Kadir (Kadir) stays with Goro and Tati. The daily behavior and interactions of these neighbors shift when Vina (Nurul Arifin), a very beautiful and attractive friend of Anita’s, comes to visit. Rio and Goro are both very attracted to Vina and make every effort possible to get close to her, particularly when everybody goes off on holiday together.

1990

Tahu Beres

Tahu Beres 1993

1

Robby disapproves of Doyok, his only son, becoming an artist. He sends Doyok to Yogyakarta to continue his studies while staying at the home of Uncle Simon (Robert Syarief). Doyok talks his friend Kadir into posing as Doyok himself and going with him to Yogyakarta. Once Kadir is accepted into Simon’s household as Doyok, it becomes very clear that the discipline there is really tough because Simon was formerly a member of the Indonesian Armed Forces. In the meantime, Doyok meets up with Rina (Yayik Artikandi), his girlfriend, who gets him a job as a taxi driver. However, this masquerade is uncovered when Robby shows up in Yogyakarta to check on how his son Doyok is doing.

1993

Kanan Kiri OK II

Kanan Kiri OK II 1989

1

In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.

1989