Cris, aged 12, and her brother are left at the side of the road by their parents. The punishment quickly turns into an even greater challenge. Marcelo Lordello's first feature film Eles voltam, which follows Cris in her attempts to find her way back home, is a modern-day fable through different realities guided by the people that inhabit them.
The sequence of graduation of law graduates in Seu Cavalcanti helps to understand the Sergio Moro phenomenon in Brazil.
Forty years separate Maria Eugênia, or Maê, a writer from Pernambuco based out of France, from the couple Miguel and Lúcia, who has just celebrated their 40-year anniversary. Maê's return uncovers old doubts and suspicions. Miguel, a sociology professor and former political prisoner, wants to face the truth, and Lúcia, his life partner who has dedicated herself to getting him out of prison, wants to escape from it. From the point of view of these three main characters we learn about political events.
Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.
A day in the life of a woman, who upon turning 53, decides to rethink her life, confront herself and the image she has created of herself over the years.
