Nederlandse Filmacademie

Four kids, who all lost a parent to suicide, share their journey from the moment they heard the news. The filmmaker, who experienced the same tragedy, asks them the questions no one dared to ask her at the time.

The Dutch water polo men's team has not qualified for the Olympic Games since 2000. The team will get a new chance during the 2021 Olympic Qualifying Tournament in Rotterdam. This documentary follows Bilal, Eelco, and Robin during the preparations. The chance that they will succeed is small, they all know that. But imagine that it will work.

A short directed by Diederik Van Rooijen.

It's Indy's birthday, but she doesn’t have money to treat her friends. Still, she doesn’t want to show up empty-handed. How will she solve this problem?

A young girl struggles to reconnect with her older brother as he moves back home after a failed suicide attempt.

A solitary organ broker attempts to break free from his life of deadly crime by rescuing a young woman from the ruthless syndicate he does business with.

Orlow Seunke's graduation film is a rural tragedy about an alcoholic father, a tyrannical mother and their weak son. Gerard Thoolen plays the successful brother.

After the loss of his father, Sammy embarks on a journey to understand him better through the stories of various men. "Fathers Are Also Sons" is a visual testament of this personal journey toward connection.

When Kees (42) and his two children, Roos (12) and Willem (6), stop at a gas station for a quick toilet break, they all shortly separate and go their own way. In this short period of time, each of them witnesses something which makes them think about themselves. The young Willem accidently witnesses a couple making love in the bushes and doesn't know how to deal with this. Roos, a real 'tomboy', starts thinking about who she wants to be, after another girl confuses her for being a boy. Kees, a divorced man, thinks he has a flirt with a younger woman. When he finds out she wasn't flirting at all, he realizes that he has entered a new period of his life where he has to find his place. The three characters separately all experience a small tilt in their lives.

Wout is a competition cyclist, a mountain climber, and a student at the film academy; Joost is an artist with a substantial track record. This film tells the story of their difficult relationship, seen from the perspective of the younger brother, who is not afraid to dish up a good share of self-mockery. “My brother thinks that once in a lifetime, everyone should take apart an engine block,” we hear him say in the voiceover. Next, we see Wout grapple with a towel and a pile of engine parts, while his older brother irritably lectures him from a distance. When Wout scales the slopes of the Himalayas with his camera, he comes to the point of making an important decision about his life.

That night, Jesper and Rein wanted to go to Tessa's party. They have just played sports and are exhausted, Rein has been hit especially hard (he thinks), and therefore has an incredible appetite for Peking Duck from his favourite Chinese restaurant. Jesper doubts as he is a bit short on cash (as he has been for decades). This exposes a skewed dynamic in their friendship.

In a Dutch high-rise neighbourhood where time seems to have frozen, the 28-year-old Moroccan Shalky has lost his car keys. During the search for his keys, he gets distracted by the daily routine of the neighbourhood and ends up in various adventures. With all sorts and conditions of residents: a slick barber in a garage box, a side-tracked gold digger, a lonely cripple and an old acquaintance. The local residents in this deadpan drama do not have much, but at least they have each other.

The life of a young gangster -- who has an affair with his boss's wife -- no longer seems certain. However, he turns out to be tougher than his adversaries.

BELLUM is a film about how war trauma still grips the lives of three generations today. In a hiding room created for this film, we see a Jewish family breaking the silence by finally starting a conversation about suppressing and passing on war trauma. We examine how trauma is passed on from parent to child. Are later generations able to break free from a traumatic experience that they have not experienced themselves?