After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.
A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?
The Pulqui jet was also designed and built in Argentina by 1947. It was the first aircraft of this type to be manufactured in Latin America. The project is the initiative of Juan Domingo Peron, who also wanted an aircraft capable of competing with the Soviets and the Americans. It is thus that the Pulqui has its baptism recognized flight before the MIG -15 and F -86 Sabre, suspiciously similar design to Pulqui. The project was cut short Pulqui the 1955 coup. But in the documentary, the plane Peronist have a second chance from the hand of the artist Daniel Santoro and Michael Biancusso engineer and metallurgist, who reconstructed thus scale to relive an epic Peronist.
Argentinean singer and tango legend Ada Falcón disappeared without a trace in 1942 at the height of her career. This is the story of how she was located sixty years later, living in an unexpected way, in an unexpected place.
Narrated [not only] with puppets, a dramatic vision of Latin America throughout the 20th century with its constant ferment of dictatorships, hunger, corruption, civil wars, heroic episodes and spilled blood.
Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.
The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .
An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.
The way a group of police journalists track and obtain information for their work.
In December 1977, two French nuns, Alice Domon and Léonie Duquet, were kidnapped in Buenos Aires by a squad of commandos from the Argentinean Navy. They were held and tortured at the ESMA - the School of Naval Engineering and were never seen again. Moving tale based on letters Alice Domon sent to her family and friends back home as well as on the testimony of many friends in Argentina who remember her humanity and courage. She shared the lives of those in need, helped heeling their sick and bringing in their crops. And she raised their political awareness - which brought her to the attention of the regime. A film retracing recent history that is by no means in the past.
Sonia is a former militant of the Montoneros. In the 1970s she was a militant in the JP in the western suburbs of Greater Buenos Aires. She begins her journey to the West, to the past, searching and wondering what remains of that revolutionary practice in the very territory where it was tried and failed. But his initial intention fails and he finds, instead, other things: an unexpected balance and demand from the children of that unbeatable generation; the discovery that in the West there were almost no survivors left, due to a particular form of repression; and the most important thing: he discovers his profound need for reflection in order to bring to an end the most intense and tragic stage of his life.
