1942. aastal Põhja-Aafrikas eluohtlikul missioonil viibides kohtab Max Prantsuse vastupanuliikumise võitlejat Marianne’i ning nende töiselt alanud tutvusest saab peagi kirg. Kui armastajad on paar aastat hiljem end Londonis sisse seadnud ja püüavad pereidülli nautida, teevad võimuesindajad Maxile teatavaks, et legendaarse Marianne minevik võib olla äärmiselt kurjakuulutav. Maxi sunnitakse oma naise tõelist olemus välja selgitama.
A one-hour series showcasing documentary films from across the Al Jazeera Network.
Television serial based on the novel by P. C. Wren.
Captain Gallant of the Foreign Legion was a half-hour black-and-white television series about the French Foreign Legion starring Buster Crabbe in the title role. Crabbe's real-life son Cullen Crabbe played the Legion mascot, with cowboy sidekick Fuzzy Knight playing himself as Legion comedy relief. The series premiered on NBC on 13 February 1955 and ended its first run with the 65th episode shown on 7 December 1957. It was shown for many years in syndication on American television under the title Foreign Legionnaire.
In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".
What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.
