Artcam International

China's rapid changes from the late 1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.

This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.

The neighborhood La Estrella, in Bogotá, is inhabited by families displaced by the violence. Before the event which is the arrival of the electric light, that night there is a celebration. Cristancho and Brochero families, neighbors, friends and leaders of La Estrella, will be involved in a series of incidents and jokes.

Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.

Aitor is a director making a film about a lonely man looking for love, called “Soul Ache.” While he uses his auditions to meet women, he really longs to cast actress Myriam Mezieres in the film.

Marat works as a personal driver in Almaty, capital of Kazakhstan. When he hits a Mercedes, the nightmare begins. The loan he accepts to pay for the damages puts him at the mercy of a Mafia boss.

Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome.

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

A filmmaker, Kobessov, awakens from an anxiety nightmare: during the preview of his newest film, the projectionist mixes up the reels and begins to show a bad karate film by accident. Although Kobessov objects to the mix-up, the public is ecstatic and refuses to allow the projectionist to interrupt the screening to show Kobessov's film.

Two young men went on a ride with their old friend in his truck across the whole Mauritius, the sole purpose of it being finding and getting two girls to entertain them that very night back home.

"In The Moonless Night, the whole of Albania seems to head for the coast by train in order to emigrate to the West. So too is 16-year-old Rudina and her strict and secretive grandfather, who have left their village with that aim in mind. In the train, Rudina meets Gjergj, who is on his way with his friend Millo. The grandfather tries at all costs to keep the two away from each other, but is left powerless in the train when Rudina and Gjergj miss the train at the station. As they continue their journey on foot, they get to know each other better. When they reach the beach, the local Mafia is busy organising the smuggling of people and goods. When the train travellers arrive there too, it slowly becomes clear how much Rudina's grandfather tries to hide about his past and why he doesn't want the two young people to be together." - IFFR

Krystof, an architect whose main priority is his job, has been living for several years with Tereza, who has a somewhat different outlook on life. Their love story reveals the distinctness and contradictory nature of each person's subjective worlds and shows how the line between dream and reality differs in each and every one of us.

Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.