Kamias Overground

As a typhoon bears down on a sleepy rural town in the Philippines, strange events and even stranger behaviour foreshadow the watery catastrophe to come.

In this whimsical historical fresco, a counterpoint to today’s urgent political issues, the figure of the Filipino revolutionary Rizal is revisited in the light of early silent films.

“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).

1901, Balangiga. Eight-year-old Kulas flees town with his grandfather and their carabao to escape General Smith's Kill & Burn order. He finds a toddler amid a sea of corpses and together, the two boys struggle to survive the American occupation.

Kulob is everyone who believes in nothing

A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.