The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors.
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A woman being fitted for shoes exposes her ankle to the shoe clerk, who is intrigued. He kisses her, but her chaperone hits him with her umbrella.
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important for being one of the earliest films to cut to a close-up, then back again to the same medium shot as before.
With godly entrapments, Zeus appears on the horizon, engages Hermes as an audience, and tries to throw some thunderbolts. They fizzle. Hephaestus tries to make some repairs but succeeds only in heating the bolts and burning Zeus's hands. Zeus conjures nine muses, but do their incantations help? He dismisses them as well as a visiting Pan, and his fits of pique become counter-productive. Can he get his powers back?
Two impish clowns construct a magic lantern. They prop it up at an angle, and use it to project pictures onto a wall. When the picture show ends, they open up the lantern to reveal a group of dancing girls inside - and this is only the first of the indications that this lantern really is magical.
The leader of a marching band demonstrates an unusual way of writing music.
This is a film taken of the execution of Topsy, an elephant employed to help build Luna Park on Coney Island.
Based on the novel by Harriet Beecher Stowe: Eliza, a slave who has a young child, pleads with Tom, another slave, to escape with her. Tom does not leave, but Eliza flees with her child. After getting some help to escape the slave traders who are looking for her, she then must try to cross the icy Ohio River if she wants to be free. Meanwhile, Tom is sold from one master to another, and his fortunes vary widely.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...
A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.
Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.
Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. This popular and interesting legend takes place amidst the country life of the mountain populations. The beautiful and picturesque sites which exist in Switzerland have given us an opportunity of utilising the resources our theatre affords, and our scene-painters have been able to have a free run on their imaginations, and have completed the work by a series of magnificent scenes in the most artistic character.
A box of valued jewels is placed inside the tomb of Delphi. A thief breaks into the tomb and steals it, but soon the ghost of Delphi appears and puts a curse on him.
A sentry is surprised by a bear and is trapped atop his guardhouse, until the timely intervention of a thief distracts the bear.
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.
Looking for evidence that her husband may have been unfaithful, a woman is in a hotel, accompanied by a witness, and they are peeking through the keyholes at the guests. After looking at a couple of rooms inhabited by strangers, they see a tray of drinks taken into room #9, but the room turns out to be occupied by a group of men playing cards. Still the wife continues, sure that eventually she'll find what she's looking for.
