Bali 1970
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
Tells the story of Si Ronda's efforts to fight against Dutch colonialism. When injustice befell the people in his environment, especially those close to him, he fought back.
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.
After returning from abroad, Amir is offered by his friends, Dahlan and Mariani, to start a school in a small village. To raise funds, they meet Johan, a millionaire. Johan has two daughters, Rohana and Itayati. Rohana, is attracted to Amir and this makes Mariani jealous. After Amir and Rohana are married, Johan is dissapointed by his son-in-law who has no talent in trade. Rohana is also jealous, as Amir is still in love with Mariani. In the end, his wife and his father-in-law both accept Amir.
Mr. Prawiro, a retired (district chief) assistant, lives in Kebumen village, his hometown. His eldest daughter, Indrani, marries Sumantri, a staff in “Bank Tabungan Pos”. In a meeting, Mr Prawiro suggests that the importance for saving money needs to be stressed.
The residents of a dormitory led by Bu Siti each have their own personal issues. Tari, a dance student, falls in love with a man old enough to be her father. Rahimah, a medical student, is about to be forced into marriage in her village but is rescued by Nasrul. Maria, a flight attendant, gets entangled in a love quadrangle. She is loved by Imansyah, a co-pilot, but Maria is more attracted to Broto, a wealthy merchant. However, Broto himself is more interested in Sita, a dance instructor. Additionally, two teenagers, Ani and Ina, are placed under Bu Siti's care because their parents are preoccupied with politics. All these problems are resolved in a comedic manner.
The film tells a story about a family with six children. The father is often angry with everyone except the eldest child (Mieke Wijaya). Then the family situation deteriorates further when mother falls ill and is hospitalized. Finally, problems are solved thanks to the calmness and charm of the third sibling (Indriati Iskak).
Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
On the trail to catch the killer of his brother, Achmad easily defeats a bandit who challenges him. This impresses Citra, a child, who since then follows Achmad wherever he goes. When they come to a village threatened by robbers, Achmad stops and tries to solve the problem. One of the tough guys of the village, Wirya, notices Achmad and is impressed by him and Achmad’s religious devotion. He becomes friends with Achmad and asks him to agree to his condition not to bother Aisah, a village girl, who is actually in love with Achmad. Then the robbers launch a major attack, which Achmad repels. From the defeated chief, Achmad finds out that Wirya is the killer of his brother. Wirya admits killing Achmad’s brother, for committing crime and adultery.
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.
Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.