Mujeres que trabajan

Mujeres que trabajan 1938

8.20

A rich lady is suddenly in the street after her father's suicide and moves to a pension with many working women from different origins whom she had previously humiliated.

1938

Death Walks in the Rain

Death Walks in the Rain 1948

5.80

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

1948

Los Tres Berretines

Los Tres Berretines 1933

5.80

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

1933

Invasion

Invasion 1969

7.00

Hearing the summons from an elderly man, a volunteer troop of middle-aged men gather to defend their country from dark foreign invaders.

1969

Adán y la serpiente

Adán y la serpiente 1946

7.00

A hotel becomes very popular when rumors begin to circulate about a ghost wandering its corridors.

1946

La vida es un tango

La vida es un tango 1939

7.00

Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.

1939

El mejor papá del mundo

El mejor papá del mundo 1941

6.00

A young man gives a hard lesson to his father, a prestigious lawyer complicated in the management of a foreign company.

1941

Cartas de amor

Cartas de amor 1951

1

A young man must choose between the love of two women.

1951

La hija del ministro

La hija del ministro 1943

10.00

The daughter of a minister pretends to be a worker to conquer the opposition deputy and discover the evidence that he proposes to present against her father.

1943

Filomena Marturano

Filomena Marturano 1950

1

Filomena, a former prostitute in her 40s, tricks a wealthy shopkeeper to marry her and support her three children.

1950

Novio, marido y amante

Novio, marido y amante 1948

5.00

A young woman marries an older man on a whim; the marriage is not consummated. She falls in love with her husband's son.

1948

Los muchachos de antes no usaban gomina

Los muchachos de antes no usaban gomina 1937

1

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

1937

Safo, historia de una pasión

Safo, historia de una pasión 1943

6.20

The relationship between an experienced woman and a youngster which develops in a passion and a further social rejection.

1943

Los chicos crecen

Los chicos crecen 1942

5.50

A married man takes advantage of his friendship with another man, making him pretend to be the father of the children he has out of wedlock.

1942

Los pulpos

Los pulpos 1948

5.83

A treacherous provincial girl repeatedly cheats on a young writer who loves her madly.

1948

La modelo y la estrella

La modelo y la estrella 1939

6.70

Driven by the passion of his girlfriend, a humble young man gets a place as a singer achieving resounding success. When he gets it, he marries a famous diva leaving behind his youthful love.

1939

Three Argentines in Paris

Three Argentines in Paris 1938

6.30

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

1938